Sleeping Beauty / Dirty Dancing
It might seem strange to compare dances in The Sleeping Beauty and Dirty Dancing, however, that is precisely what this paper will attempt to do. The pas de deux dance between Prince Florimund and Aurora in Act III of The Sleeping Beauty and the "I Had the Time of My Life" dance in Dirty Dancing are not unlike in terms of staging and purpose, despite the fact that one is a ballet and one is contemporary dance. Both come at the end of the story (the play and film, respectively) and their purpose is to show the transformation of child to woman and, at the same time, show the burgeoning relationship between her and her lover.

The pas de deux of Act III in The Sleeping Beauty begins with the two lovers center stage as onlookers observe. Likewise, though Patrick Swayze comes down the aisle and plucks…...

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References

Balanchine, G., & Mason, F. (1975). 101 stories of the great ballets: The scene-by-scene stories of the most popular ballets, old and new. Anchor.

Final Movies. "Dirty Dancing -- Patrick Swayze & Jennifer Grey -- The Final Scene."

You Tube. Accessed on March 31, 2011:

 http://www.youtube.com/watch?v=D3L2jz7N_Dk

"The Sleeping Beauty" by Lord Alfred Tennyson uses several narrative techniques. The first of which can be seen in the second line of the first stanza. "She lying on her couch alone" (). The phrase uses incorrect English to change the tone of the poem. Although the poem does not try to establish a rhyming pattern in the BC in the first stanza with "grown" and "form," the two words sound well together as though they rhyme. The pattern however is ABABCDCD with BC sounding like they should rhyme. All the "slumberous light" uses personification to describe light.

Many of the lines within the first stanza are filled with imagery of this woman: "A braid of pearl" and "rounded curl." She is so beautiful and magnificent that even the smallest things she does are explained or described on a grand scale. She is the epitome of beauty and wears the finest…...

Distinctly from John Updike's teenage character Sammy in his short story "A&P," who realizes he has just become an adult; Connie as suddenly realizes she feels like a kid again. Now she wishes the family she usually hates having around could protect her. The actions of the fearsome Arnold, are foreshadowed early on, when he warns Connie, the night before, after first noticing her outside a drive-in restaurant: "Gonna get you, baby" (paragraph 7). From then on, Arnold's quest to "get" Connie feels, to Connie and the reader, in its dangerous intensity, much like the predatory evilness of malevolent fairy tale characters, e.g., the Big Bad olf, or the evil stepmothers (and/or stepsisters) that fix on Snow hite, Sleeping Beauty, Cinderella, and other innocent young female characters as prey. And Connie at the end of "here Are You Going, here Have You Been" wishes, like Little Red Riding Hood, Snow…...

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Works Cited

Kafka, Franz. "The Metamorphosis." E-text. 28 May 2007 http://www.mala.bc.ca/Johnstoi/stories/kafka-E.htm

Oates, Joyce Carol. "Where Are You Going, Where Have You Been?" Celestial Time

Piece: A Joyce Carol Oates Home Page. 28 May 2007   / works / wgoing/text.html>http://jco.usfca.edu 

Updike, John. "A&P." Tigertown.com. 28 May 2007 http://www.tigertown.com/whatnot/updike/html

Moral Messages in Children's Literature
I chose four children's classics: Charlotte's web (1952) by E.B. White, and other three children's fairy tales, two by Jakob and Wilhelm Grimm (Cinderella and Snow white and the seven dwarfs) and one by Charles Perrault (Sleeping Beauty). These were among my personal childhood favorites. Looking back on all four as an adult, I see many similarities, but also many differences, in these books' inherent moral messages. All have been positively reviewed (e.g., have received awards or good critical reviews, and/or have stood the test of time). Each contains many distinct moral messages, some plain, others less so. Each also deals with situations that require moral decisions.

Charlotte's web

Charlotte's web is a story about eight-year-old Fern, who, while growing up on a farm, loves and nurtures a pet pig, Wilbur. Wilbur grows up (with help from Fern and various animal friends, including a wise and virtuous spider…...

Insightful Critical esponse, Demonstrating an Understanding of the Effect of Medium on Meaning
The story of "Briar ose" uses one story to describe and relate another deeper meaning. The details of one story parallel or overshadow this hidden story now being revealed. The use of the story of a variation of "Sleeping Beauty" is retold by Gemma, a character in the novel, her own personal story is retold and given shape through the fable. She has replaced the horror of Holocaust memories with a fairy tale in the attempt to share her history with her grandchildren. The retelling is a mirror into her past an reflects an actual recorded human history. According to a writer from Britain, David Lodge, the use of the medium of the fairy tale "Sleeping Beauty" in this case, resonates to the impression or memory of her present life (Yolen, 1992).

Briar ose" tells a story of…...

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References

Yolen, J. (1992). Briar rose. The Endicott Studio. Terri Windling.

mythology is important for both individualistic and collective reasons. On an individual level, mythology could teach moral or human truths, whereas on a collective level mythology could be used to keep people in touch with their origins. Mythological stories could then be used to teach children values such as hard work, diligence and obedience. Role models are created through mythological figures. Also, the mythology of different cultures can serve to teach the student about the values of that culture. This is particularly important in the world today, since advancing technology and phenomena such as globalization has brought foreign cultures much more frequently in touch with each other than was previously the case. It is therefore important to study mythology for the values that it can teach both children and adults, and also for understanding the heritage inherent in these stories.
Defining Mythology

Mythology derives from the complexity of the human mind…...

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Bibliography

Oregon Mediation Center. "Dispute Resolution Mythology." 2004.  http://www.to-agree.com/medres/pg23.cfm 

Miller, Ken. "An Introduction to the Mythology of the Druids." Oct.-Nov. 2002. Bandarach Council of Druids. http://www.bandarach.org/Paper002.htm

Balanchine to Petipa
George Balanchine was born in the year 1904. He was invited to come over the United States of America by Lincoln Kirstein, in the year 1933, and subsequently, Balanchine arrived in America in the month of October 1933. One of the very first things that Balanchine is reputed to have done after his arrival in the United States, was to found the 'School of American Ballet', which opened in the year 1934, with a class of twenty five students. It must be stated here that although Balanchine and Kirstein made several attempts through many years to start a Company, they did not succeed in their endeavor, but the School of American Ballet, however, has endured and remains intact, to this day. This was the Scholl through which Balanchine was able to present his very first ballet to the entire world, in America, which was named the 'Serenade'.…...

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References

Ballet Training Techniques. Retrieved From

  Accessed 15 October, 2005http://www.the-ballet.com/techniques.php 

Balustrade. Retrieved From

http://www.cmi.univ-mrs.fr/~esouche/dance/Balustrade.html

movie industry in America has been controlled by some of the monolithic companies which not only provided a place for making the movies, but also made the movies themselves and then distributed it throughout the entire country. These are movie companies and their entire image revolved around the number of participants of their films. People who wanted to see the movies being made had to go to the studios in order to see them. They made movies in a profitable manner for the sake of the studios, but placed the entire industry under their control and dominated over it. The discussion here is about some of those famous studios inclusive of that of names like Metro Goldwyn Mayer, Culver, RKO, Paramount Studios, Warner Bros, 20th Century Fox, Walt Disney Studios, Universal Studios, Raleigh Studio, Hollywood Center Studio, Sunset Gower Studio, Ren-Mar Studios, Charlie Chaplin Studios and now, Manhattan Beach…...

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"What better way to annoy the Hollywood liberals than to remind them every single day that

George W. Bush is STILL the President?" Retrieved from Accessed 15 September, 2005https://www.donationreport.com/init/controller/ProcessEntryCmd?key=O8S0T5C8U2

"What's interesting about the business is that it's no longer the movie business" Retrieved from   Accessed 14 September, 2005http://www.pbs.org/wgbh/pages/frontline/shows/hollywood/picture/corptown.html 

Tales
Charles Perrault was responsible for collecting and adapting many of the fairy tales best known to contemporary audiences, and his collection of Stories or Fairy Tales from Past Times with Morals, also known as Mother Goose Tales, offers a unique insight into both the evolution of fairy tales in general and the socio-political context of Perrault's own writing. In particular, Perrault's use of domesticated and wild animals in certain tales shed light on the gender and class conflicts that under-gird both the stories themselves and Perrault's own historical context. By performing a close reading of Perrault's "Little Red Riding Hood," "Puss in Boots," and "Donkeyskin," one can see how Perrault uses domestic and wild animals in order to reinforce notions of gender that idealized male autonomy and proactivity while condemning female exploration, in addition to simultaneously supporting the preexisting class structure that impoverished the majority while rewarding the nobility;…...

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Works Cited

Ashliman, D.L.. "Charles Perrault's Mother Goose Tales." University of Pittsburg. Web. 3 Dec

2012. .

Ahmed, K. Al. "Charles Perrault's "Le Petit Poucet" and its Possible Arabic Influences."

Bookbird 48.1 (2010): 31-41.

(White, 33)
And it was rightly found in a life form which we encounter daily in our real lives- insects. ightly, insects possess the shape, form as also the texture that aligns perfectly within the realm of computer technology and the restricted movement was also not a vital challenge to the evolving medium of animation. This started with "A Bug's Life." From then onwards, the Pixar Studio has gone even more into the details of character design which were not believed to be possible till that period, like fantasy monster, fishes and cartoon superheroes. Like the 2D animation prior to that, 3D is yet to defeat the human form in any means in which the characters are able to act in a natural manner and no look like models made of plastic or wooden sculptures in the absence of the life form inside them. (White, 33)

The initial stage of phasing…...

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References

Belgrave, Tito a. Applying the 12 principles to 3D animation. July, 2003.  http://features.cgsociety.org/story_custom.php?story_id=1429 

Collie, Craig. The Business of TV Production.

Cambridge University Press. 2007.

Cusson, Roger; Maffei, Pia; Discreet Logic Inc. 3ds Max 7 Fundamentals and Beyond Courseware. Focal Press. 2005.

Trace the roots of many of the traditional cannon of fairy tale - Cinderella, Snow White, Sleeping Beauty etc. - and women and children are often subdued by the establishment. Stardust's suggestion that there might be greater things inside all of us seems perfectly in line with traditional fairy tales.
If, however, you believe in more traditional gender roles and are very conservative in regards to family structure then Stardust may present a problem namely, that homosexuality is okay. To those coming from the hard right, Captain Shakespeare's effeminate behavior behind closed doors (or in the closet), and his revelation to the crew that he enjoys cross-dressing and they're subsequent reveal that they already knew, Stardust is definitely a challenge to the status quo. Even the heterosexual romance between Tristan and Yvaine pushes the limit as they are shown in bed together on more than one occasion. Magic and the…...

The level of the investment also isolated them more in the case of a failure. They paid attention to the wrong details. Disney acted on American views of Europe rather than on native views, which could identify the important cultural differences. It appeared that the managers were too confident in their success to research the small details about European cultures.
In planning Euro Disney there were not any contingency plans put into place. The attitude towards customer habits was very complacent. They assumed that there would be so many customers every day, each staying an average number of nights spending an average amount of money. In America this would have worked because there is already a well established theme park culture. The European market proved to be a lot more unpredictable.

Up until now, Disney's venture into China has been anything but magical. The Hong Kong theme park, which opened in…...

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Works Cited

Balfour, Frederik. 2009. "Disney Shanghai: Good for China, Bad for Hong Kong." 28 June,

2010. Business Week. Web.

Liu, Ling Woo. 2009. "Disneyland in Shanghai: A Second Try in China." 28 June, 2010. Time.

Web.

H.P. Lovecraft wrote him fan letters and composed a poem about his art. The fine hatching and pebble board were all used to give his images a texture and depth beyond anything seen in the field. Finlay and another illustrator at this time named Lee F. Conrey (see above) both provided lots of imaginative drawings for both magazines and books (BPIB).
Comics were another genre that started hiring illustrators. Born in Humbolt, Minnesota, Austin Briggs studied at the Wicker Art School in Detroit, and then attended the Art Students League in New York City. He settled there and worked for an advertising agency and freelanced for various magazines, like the Dearborn Independent, Collier's, McClures and Pictorial eview. He started his comic strip career as an assistant on Flash Gordon, then took over the Secret Agent X-9 strip, and began anonymously illustrating the Flash Gordon daily in the 1940s and early…...

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Reference Cited.

American Art Archives. 16, November 2007.  http://www.americanartarchives.com/ 

Ask Art Blue Book. Oscar Edward Cesare, Artist. 16, November 2007.  http://www.askart.com/askart/c/oscar_edward_cesare/oscar_edward_cesare.aspx 

BPIP. Jessie Wilcox Smith Biography. 16, November 2007.  http://www.bpib.com/illustrat/jwsmith.htm 

Comic Art Fans. 16, November 2007.  http://www.comicartfans.com/forums/topic.asp?TOPIC_ID=1127

As Connie grows more frightened of Arnold's escalating threats, she eventually allows her own imagination to run wild, to the point where she can neither think clearly anymore, nor even manage to use her own telephone to call the police.
The fright-inspiring actions of the fearsome Arnold, are foreshadowed early on, when he warns Connie, the night before, after first noticing her outside a drive-in restaurant: "Gonna get you, baby" (p. 2279). From then on, Arnold's quest to "get" Connie feels, to Connie and the reader, in its dangerous intensity, much like the predatory evilness of malevolent fairy tale characters, e.g., the ig ad Wolf, or the evil stepmothers (and/or stepsisters) that fix on Snow White, Sleeping eauty, Cinderella, and other innocent young female characters as prey.

The shaggy-haired man who drives "a jalopy painted gold" (p. 2279) first notices Connie at a "drive-in restaurant where older kids hung out" (p.…...

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Bibliography

Bender, Eileen T. "Joyce Carol Oates, b. 1938." Retrieved November 16, 2006, at  http://www.georgetown.edu/faculty/bassr/heath/syllabuild/iguide/oates.html .

Celestial Timepiece: A Joyce Carol Oates Home Page. Retrieved November 16, 2006, from:   html>.http://www.usfca.edu/facstaff/southerr/wagner.html#preface 

Friedan, Betty. The Second Stage. New York: Summit, 1981. 341.

Gilbert, Sandra M., and Susan Gubar. "Joyce Carol Oates 1938-." The Norton

father's death and her father requesting that treatment be accorded him so that he speedily is delivered from his pain, Ms. Wolf is faced with the dilemma of whether or not to accede. Always a staunch opponent of any euthanasia-assisted program, she realized that the choice was not so simple and that sometimes suicide or euthanasia exists in the gray zone.
Ultimately, nature, as she puts it, helped her out and her father lingered on long enough to enjoy his last remaining moments with her and die comfortably and at peace.

In those last few hours, she sang to him, reminisced about his time with her, they shared loving and tender recollections (he moved his jaw three times inferring that he loved her); the father had a chance to see his other loved ones and his death was more of a closure. More so, during that period of time, he for…...

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Sources

Hare, R.M. Moral Thinking, U.K: Oxford, 1981.

Kant, I. Groundwork for the metaphysics of morals New Haven: Yale University Press, 2002.

Sharon, G. Sharon: the life of a leader. New York: Harper, c2011.