Historiographical Debate Into the Effects of Santa Anna\'s Reign in Mexico
In his self-described revisionist biography Santa Anna of Mexico (2007), Will Fowler has courageously taken up the defense of the Mexico caudillo, fully aware that he is all but universally reviled in the historiography of the United States and Mexico. From the beginning, he made his intention clear to vindicate the reputation of a dictator whose "vilification has been so thorough and effective that the process of deconstructing the numerous lies that have been told and retold" is almost impossible. He is the tyrant that "all Mexicans (and Texans) love to hate", blamed for losing the Mexican War for a "fistful of dollars" and selling another large part of it for personal gain with the Gadsden Purchase in 1853. Timothy J. Henderson asserted that "Mexicans ever since have blamed him for many, if not most, of the misfortunes their country suffered." He had a great talent for exploiting and manipulating political divisions but none for governing a country. In U.S. history and popular culture, he has always been portrayed as a corrupt megalomaniac, the ‘Napoleon of the West', responsible for the massacres at the Alamo and Goliad. As John Chasteen and James Wood put it, even his autobiography was an "extraordinary work of self-dramatization" by a dictator who put on a show of being a "vulnerable, introspective protagonist" but was in reality a power-hungry tyrant with "unmitigated vanity" and "obvious self-absorption."
Language and Culture in Autobiography Language, Culture
Language, Culture and Identity in the writings of Maxine Hong Kingston, Richard Rodriguez and Alfred Kazin: degradation of culture, family and self"
Maya Angelou Attained International Fame in 1969
Maya Angelou
Maya Angelou attained international fame in 1969 with the publication of her first book, I Know Why the Caged Bird Sings; however, the seeds of her acclaim were planted long before. Raised primarily by her grandmother in Arkansas, Maya attributed her first important lessons to the woman she affectionately calls "Momma." With those lessons and other hard-earned knowledge, Maya progressed from being a victim of racism and sexual brutality with low self-esteem to a confident, skilled, dignified artist who is globally recognized for her wisdom.
Maya Angelou's life and work span the racism and sexual abuse of an early childhood in Arkansas, the assertiveness of Malcolm X, the passive-resistance of Dr. Martin Luther King, Jr., and the worldliness of an international multi-talented artist. Learning valuable lessons in dignity and skill throughout her life, she shares those lessons with her public through a body of work that includes her 30+ written works, dance, acting in TV and films, and personal appearances. Still productive at the age of 83, Maya apparently has no intention of slowing down, as she is still writing and making personal appearances to this day.