The building is deeply symbolic for Christians, Muslims, secular Turks, and historical conservationists. Architectural historian Robert Ousterhout points out that "each group looks at Hagia Sophia and sees a totally different building" (qtd. In Bordewich 5-6). In his article, Bordewich examines the multiple agendas and suspicions of the groups seeking to control the restoration of the building, bemoaning the fact that the building is currently stuck in an "ideological no-man's land" (6). In the meantime, one of the premier examples of extreme architecture, Eastern Roman power, Christian iconography, and Muslim decorative arts falls prey daily to the natural forces of decay, and runs the risk of being destroyed utterly by an earthquake or even by religious extremists. Even the grand ambitions...
Instead, modern society must marshal the ingenuity of its own visionaries and architects to ensure that this gem of engineering and art remains for future generations.The display of the various religious artwork effectively served to reinforce the fact that such faith was the governing power in the land, which the church itself reflected merely in its principle usage as a house of worship. The Hagia Sophia served a similar purpose, as it was built during one of the periods of devastation inflicted upon the Hagia Irene and was also viewed as a symbol of
Architecture through the Ages Mesopotamia Construction in ancient times is second only to agriculture-it reaches back as far as the Stone Age and possibly further (Jackson 4). Before the existence of master builders in design and construction the Code of Hammurabi (1795-1750 B.C.) referred to design and construction as a simple process (Beard, Loulakis and Wundrum (13). Hammurabi was the ruler of Babylon, the world's first metropolis and he codified his
Between 1225 and 1250 C.E., Notre Dame was extensively modified when the chapels were built into spaces between the buttresses and the transept arms were lengthened. Of course, it is Notre Dame's facade which draws the most attention, due to its verticality which makes Notre Dame one of the most satisfying and memorable structures in Gothic architecture. In conclusion, the talented men who designed these churches and cathedrals which always
Gothic Cathedrals and Light From the end of the 12th century for at least two centuries architecture underwent a revolution known as Gothic. Much like classical architecture, changes in building paralleled changes in culture. Gothic works tended to be tall, inspiring, and meant to withstand the ravages of time. Structural improvements were massive, and even though this era only lasted 200 years, it would have a profound effect on any building
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