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Africa
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Africa is one of the most expansive and multidisciplinary topics in geography, appearing across courses in political science, history, economics, public health, and postcolonial studies. Its academic appeal lies in the continent's extraordinary diversity — dozens of nations, languages, and ecosystems — alongside its complex relationships with European powers and global economic systems. Key touchstones in student writing include the Berlin Conference of 1884, which formalized colonial partitioning of the continent, Portugal's sixteenth-century influence along African trade routes, and the devastating humanitarian consequences of HIV/AIDS, particularly in southern Africa. Works such as They Poured Fire on Us from the Sky, The Great War in Africa 1914–1918 by Byron Farwell, and Kwame Nkrumah's I Speak of Freedom also serve as primary reference points for understanding African experiences across different eras.

Student papers on this topic take several distinct approaches. Comparative essays frequently contrast North Africa with Sub-Saharan Africa in terms of economic development, culture, or political structure. Historical analyses examine European colonialism and its long-term effects on African nations. Case-study approaches focus on specific crises, such as HIV/AIDS in South Africa or the displacement of the Lost Boys of Sudan. Policy-oriented writing addresses issues like farm subsidies and the economic gap between African countries and the rest of the world.

A strong essay on Africa requires a clearly bounded thesis — covering the entire continent without a specific argument leads to shallow generalizations. Evidence drawn from historical events, policy frameworks, or documented case studies carries the most weight. Writers should ground comparative claims in concrete regional differences rather than treating Africa as a single, uniform subject, which is the most common pitfall in essays at this scale.

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Female elements in Song of Solomon by Toni Morrison
Abstract Wile Sula is the most moving of Morrison's works for me, I have found myself coming back over and over to Song of Solomon: first, for the fierce wisdom of Pilate, which I wrote on in Listening to Our Bodies; then for the wisdom and clarity and originality of Morrison's analysis of masculine archetypes and how they underlie men's individuation; and finally, for lessons about women's life stages, since the novel gives a cross section of women on the boundary line of passages into various new life stages (Smith, 1995). Like her other novels, Morrison's Song of Solomon crosses several generations; the major action of the novel takes place when all the women have grown middle-aged or old. Although this novel develops in depth Morrison's vision of masculine archetypes, the portraits of the women are as strong and compelling as her more centrally feminine previous novels; as Gloria Snodgrass Malone says, "men [are] more prominent in this novel, but women bear the brunt of suffering." The female figures are for me more memorable than the males. And although the novel's protagonist is male, he is finally redeemed by the strength and spirituality of several women in his family and the witch figure Circe, whom he meets on his journey South. Milkman is thirty-one when this happens (Cowart, 1990). The older women in his family are his mother, Ruth, sixty-two, and his aunt, Pilate, sixty-eight; these women comprise the portraits of women in the last stage of life, well past middle age. His sisters, Corinthians and Lena, are forty-two and forty-three respectively, thus moving into middle-age during the last section of the novel, as does Reba, Pilate's daughter, although her age is never actually given. Hagar, Milkman's cousin and lover, dies at thirty-six, apparently unable and unwilling to move towards middle-age. But before examining the women's life stages in depth, we need to set the stage with Morrison's development of masculine archetypes (Novak).