¶ … Fire: The Medieval Mind and the Renaissance - Portrait of an Age by William Manchester. Specifically it briefly addresses Manchester's three main theses and analyze some part of this book in depth. It contains a critical book review that acknowledges the three main theses and addresses one of the theses, or a clearly defined theme, directly. The author's three main theses in the book were these: First, writer William Manchester wanted to show the reader what it was like to really live in medieval times. He wanted them to understand the smells, experiences, home life, and even filth and violence that filled the times. Second, he wanted to illustrate to the reader how the Middle Ages were entirely necessary for the Renaissance to occur, and finally, he hoped to show the reader how important Christianity, especially the Catholic Church, was to the time, the people, and the very fabric of their lives. The author actually included several other theses for writing his book, including his seeming obsession with Magellan, but these mentioned above are the main three, and the main threads that held the book together both in style and in content.
Author Manchester proved his theses throughout the book, while making the book interesting, and even compelling to the reader. The reader learned about how the everyday people of medieval times lived, worked, and played, how they worshiped, and what hardships they had to deal with on a daily basis. He told stories that sounded like fiction but were really true, and he made his short book readable with these stories and his own analysis of events that gave great detail and pique the reader's interest to learn more about the Middle Ages and the people who lived during this time. That is the true measure of a good historian, they draw the reader in, give them facts and detail, but most of all they make them want to know more about a person, an age, or a document, and Manchester was a good historian.
The book was incredibly detailed, with small stories about little particulars that clearly show he understood what he was writing about with precision and great knowledge. His notes and acknowledgements illustrated his vast research into this book, and also showed there was an abundance of literature on this subject. Manchester's book was different, however. Many historians "told" their readers about the people, the places, the events, and the times that made up history. Manchester, on the other hand, literally "showed" the reader period details that gave the reader a much greater understanding of what happened during the Middle Ages. It showed how people lived, worked, ate, drank, worshiped, and fought, and virtually made the time come alive almost as much as a film would.
One of Manchester's main theses was to illustrate to the reader how people lived during the Middle Ages. To illustrate this thesis to the reader he discussed the size of the cities and towns, and compared them with modern-sized cities such as Reno, Nevada or Eugene, Oregon. This technique put the size and population of old cities into a context the reader could totally understand and evaluate. As the differences between old cities and modern cities became increasingly clear, the old cities began to come alive for the reader, and really made sense, both in the mind and even as a very real picture. The reader could picture these cities, and began to understand the people that populated them, which is just what Manchester was attempting to portray. Using Manchester's guidance, the reader began to visualize the cities full of small, dirty and cluttered houses stuffed close together, surrounded by a defensive wall with sentries on top, and all centered on a large, imposing stone cathedral that was literally the center of life in the city. The book simply set the stage for the reader to explore their own images in their minds.
One of the reasons Manchester's writing was so interesting was because of his great attention to detail. His research turned up tidbits such as, "The twisting streets were as narrow as the breadth of a man's shoulders, and pedestrians bore bruises from collisions with one another. There was no paving; shops opened directly on the streets, which were filthy; excrement, urine, and offal were simply flung out windows" (Manchester 48). The reader only had to close their eyes to imagine the awful stench...
Venice During Renaissence Renaissance literally meaning re-birth was a cultural movement that started at the end of middle Ages from 14th to 17th century. The movement started from Italy and spread into whole of the Europe. The age of renaissance is attributed to a heightened sense of toleration and reasoning in every aspect of life. Arts, craft, literature, politics, and science, all were re-shaped in the renaissance era. While the birth
" James a.S. McPeek further blames Jonson for this corruption: "No one can read this dainty song to Celia without feeling that Jonson is indecorous in putting it in the mouth of such a thoroughgoing scoundrel as Volpone." Shelburne asserts that the usual view of Jonson's use of the Catullan poem is distorted by an insufficient understanding of Catullus' carmina, which comes from critics' willingness to adhere to a conventional -- yet incorrect
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