Cassandra's aunt said, "The world is changing, I tell you - but it is the fault of the women who did not keep their men in place." (1-193) the second story is a much more modern story set in a "post-nuclear- holocaust world" and is a rather discouraging tale of men 'servitors' playing the role of servant to the remaining women and children left in the world. There are still some men left that are warriors, but the real 'manly' characters are the ones who 'serve' the ladies. The children borne to these woman are raised as peace-loving individuals, while the woman try desperately to breed violence out of their men-children.
The strength of this book is the exquisite detail to be found concerning the fall of Troy and the stories that still abound today about that fall. Thompson has done a terrific job of research and it shows.
The book is not a difficult read, but there are difficult parts contained therein. It is a well-written book, however, that most people interested in Troy, Sparta, Achilles or any of the colorful characters and events from...
Mourning Becomes Electra It must have come as something of a shock for the original audience of Eugene O'Neill's Mourning Becomes Electra in 1931 to take their seats, open their programs, and discover that this extremely lengthy trilogy of plays does not actually contain a character named "Electra." This may seem like an obvious point, but it is one worth considering as we approach O'Neill's American analogue to the Oresteia of
Homeric Epics and Mark Dennis McDonald's The Homeric Epics and the Gospel of Mark (2000) is a book that was always guaranteed to upset orthodox Christian theologians and biblical literalists and fundamentalists everywhere, since its main thesis held that the author of the first gospel used the Iliad and the Odyssey as literary models. He compares Mark to the apocryphal Acts of Andrew, a Gnostic book, and describes it as a
Rhyming also conveys emotion in the Aeneid. The first four lines of the epic read: "Arms, and the man I sing, who, forc'd by fate, / and haughty Juno's unrelenting hate, / Expell'd and exil'd, left the Trojan shore. / Long labors, both by sea and land, he bore." This opening passages also show how regular the meter is in the Aeneid, as each line has ten "feet." The
Sappho Bowman, L. (2004). The "women's tradition" in Greek poetry. Phoenix 58 (1), 1-27. Bowman -- a Greek scholar at the University of Victoria in Canada, who has published on issues of women in antiquity -- addresses the question of Sappho as a specifically female poet, and how gender affects her place in the "tradition" of Greek poetry. Bowman approaches the issue from two angles. She asks first whether there was a
Harem Conspiracy Of the hundreds of Pharaohs who ruled ancient Egypt for three thousand years, only a few are considered truly great and well- remembered (Bible History Online 2011, Alchin 2009). The second ruler of the 20th dynasty, Ramesses III, is among these few and was the last to rule. He was born at a time of turbulence in the Mediterranean during the Trojan War, the fall of Mycenae and the
Fakes & Forgery in Classical Literature Epic Fake? Forgery, Fraud, and the Birth of Philology A set of epigrams in the Planudean Appendix to the Greek Anthology record the trope that even in antiquity seven different cities contended for the right to be considered the birthplace of Homer. Several are clearly inscriptions, no bigger than a couplet: nn? p-lei? m-rnanto sof-n di? r-zan Om-ro? Grk.Anth.XVI The more flowery elaboration upon this lapidary couplet at 296
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