France
Throughout the course of history, fashion has been used as a form of expression and to define social customs / traditions. In some cases, this is occurring with it serving as a symbol of the larger ideas that are most important to specific ethnic groups, religions, nationalities and gender. The result is that numerous concepts will be interpreted differently, depending upon the perspectives that are taken. To fully understand what is occurring requires focusing on contemporary styles in France in conjunction with the most popular trends. This will be accomplished by looking at the period, designers, unique styles and its contributions to culture. Together, these elements will illustrate the long terms effects of these individuals on this society. (North, 1998) (Lazzari, 2011)
Fashion in France
In France, everyone is free to determine their own fate. During this process, is when they will give up a certain amount of freedom. This is because they are a part of society, who is following different laws, in maintaining some kind of social order. At the heart of this structure, is a basic social contract. This involves the general population and its views on freewill. While at the same time, the government is responsible for safeguarding them and these basic rights.
This changed society's values with these ideals becoming a reflection of the liberal attitudes embraced in France. These shifts became more pronounced during the 20 years, with many people abandoning the aristocracy in favor of self-determination. The result is that these views became a part of French society with subsequent leaders following them.
Who are the contemporary designers are from this culture? Describe the unique style of their designs. Identify designs that are unique to this culture?
There were several different designers which had an influence on culture. The most notable include: Pierre Cardin, Maud Frizon and Sophie Albou. Pierre Cardin focused on using bright colors, blends, limited embroidery and limiting cufflinks on shirts. He is mainly focused on introducing a simplistic. Yet, elegant fashion style with clothing that is…
Later on, throughout the 1930s, fashion photographs were principally created in studios, to take advantage of being able to carefully control lighting, composition and pose (Grossman 1). However, outdoor photo shoots were not unheard of. It has been noted that these outdoor photographs "carried an allusion of authenticity and spontaneity that made the fashionable clothes appear more vibrant than the sculptural effects of studio photographs could achieve" (Grossman 1). With
France True False True True Melies Renoir Pagnol Beau Serge -- Chabrol, Quatre Cents Coup -- Truffaut; Hiroshima Mon Amour -- Resnais; Bout de Souffle -- Godard; Jules et Jim -- Truffaut; Cleo de 5 a 7 -- Varda; Le Mepris -- Godard Shoah -- A;l Jean de Florette -- E; Au Revoir, les Enfants -- B; Nikita -- F; la Haine -- D; L'Humanite -- C True Longest Day -- A; Bourne Identity - C; To Catch A Thief --
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