Conclusion
Both narrative and documentary films, in order to be viewed and understood must have a compelling social interest to the viewer, be it emotional, political or both, which it usually is. There must be a story line, often a villain or an implied villain and a message, often placing the political into a position of affecting emotion, be it anger, disgust, empathy, sympathy or even hatred for an implicit or explicit villain, who is in some manner is usually oppressing an underdog. The manner in which the viewer is compelled to build an opinion about the antagonism of a story is through good story telling. To make a film or write a story that has merit and is read or viewed you must have all the same elements of intrigue, plot, conflict, compelling character (s), compelling setting and compelling...
It is also worth noting that the "story" is something of a fictional account, unlike some of the tales we encounter in The Odyssey. Storytelling was a form of entertainment, just as songs and poetry. In this culture, one is actually no greater than the other, each possessing positive qualities and benefits. The songs worked on Odysseus in a way that words did not and they allowed him to
Alexie, Victor, Thomas and Tonto Alexie's experiences as a boy compare to those of Victor and Thomas each. It is as though Victor and Thomas are two alternate projections of Alexie's character: Victor represents the unhappy Indian, who is dissatisfied with the way his family and the people on the reservation conduct themselves (they drink too much); he wants to think of himself as a proud, warrior Indian. Thomas on the
Bollywood has many recognizable elements of style; "The distinctive features of popular Hindi cinema -- song and dance, melodrama, lavish production values, emphasis upon stars and spectacle -- are common to films made in Southern industries as well," (Ganti 2004 p 3). There are many differences that create a discrepancy between the traditional Hollywood style and that seen in Hindi films. Bollywood films tend to add more emotion to
In addition, the puppet theatre serves to imply that the actors are not in full control, and possibly that the characters themselves are not even in control of circumstances or their actions. On the first level, this provides yet another level of the emphasis of artifice that exists in the film, as it demonstrates that the bodies actually being viewed are not meant to be bodies in control, but rather
Real Hearts Going After Apocalypses Heart of Darkness by Joseph Conrad was one of the first works of fiction to explore modernist notions of reality, and specifically, what makes an experience "real." "Apocalypse Now" can, in many ways, be thought of as the transposition of Conrad's ideas onto a modern war. Tim O'Brien's Going After Cacciato investigates similar themes concerning mental and physical interpretations of reality and is also placed in
" While there were students of color in the community, their race was rarely, if ever, a source of conflict. The unfortunate outcome, however is that in being "Color Blind," and believed that everyone is being treated the same. In reality, the outcome does not celebrate the uniqueness of those same ethnic groups. The bigger implication in my work will be the study of the blending of economic classes. Prior to
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