The spider is working upon a canvas, referring to it as an "Arc of White" (Dickinson 3) and the mood of the poem is that the spider is quite content to be this way. The spider is working at night and it is the only thing that can contribute to his project. The spider is grounded in his task and while it might look as though there is no planning involved, the poet realizes the spider does have a strategy. The spider is not simply building a bridge but it is also creating a legacy. The mention of the "ruff of dame" (4) and "the Shroud of gnome" (5) illustrate this. It is also worth noting that the spider is projecting itself into its work and this is its "physiognomy" (10). The work is well done so that it seems permanent, like out personal efforts in the world should be. The spider is making its legacy and it is doing so in a way where it can also try to protect what it creates. Like the spider, we, too, must project ourselves into the world and leave our legacy. Whitman and Dickinson illustrate their capacity as poets by working with a seemingly insignificant subject matter and bringing meaning to it. Spiders in general are seen as pests or simply creepy creatures that we do not give much attention to in our daily...
American Literature Listen to Sinners in the Hands of an Angry God preached. Discuss in the discussion group. Jonathan Edwards gives us a perfect example of the Calvinist beliefs of the Puritan settlers in early New England. Edwards studied theology at Yale University -- where today there is still a dormitory named after him -- but then became a noteworthy preacher in the Great Awakening, which exhorted an entire generation to renew
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