¶ … Speed (NFS), the popular racing game that has arrived, I think, at its eighth version already (without mentioning sidetracks such as Need for Speed Underground). The game is highly successful and it incorporates what we may refer to as "role-playing," although not in the meaning generally associated with another category of videogames.
First of all, Need For Speed is not about driving, but about racing, something we all must enjoy doing once in a while, because it is on the edge and, perhaps, also because it is illegal. It is still illegal in the game, with cops chasing you when you pass the legal limit, however, as the greatest advantage of any videogame, even if you are caught, nothing happens to you in real life.
So, as a first observation, NFS was created as a predictable reaction to the outside restrictive environment (we will see later on whether there are any implications from NFS). This is a characteristic generally shared by many computer games, from strategy to role playing to flight simulators: you get to be someone you are not in real life, may it be a pilot, a general or a rally driver. This is exciting, both for teenagers, who are still building their own universe and for grown ups, who have a place with different rules to retreat to.
The second thing about NFS is the cars. Not only do you get to drive, but you drive incredible cars, from Jaguar to Lotus and from Ferrari to Lamborghini. Obviously, these are the types of cars a regular person does not generally drive. Yet, NFS makes it possible.
Third of all, Need For Speed includes the necessity of performance as a criteria for success. Indeed, as you start of in the game with...
Violence in Video Games Guiding Question: Should the government have to be involved in legislation regarding video game content? Proof 1: Explain how First Amendment ensures freedom of speech, including video game content. "It is not the government's job to forbid content in media. It is the responsibility of the parents to decide what their children should play. Body Paragraph 1: Music censorship case and ratings system for video games Body Paragraph 2: Research evidence Body
By examining violence and women in both Sin City and the Tekken series, one is able to see how seemingly similar representations of gender and violence actually create wildly different meanings depending on the particular medium. While Sin City and Tekken participate in the visual language of gender, when it comes to the relationship between gender and violence, Sin City focuses on the victimization of women's bodies at the hands
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