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Sound In A Scene From Term Paper

Henry Hill may be one of them -- but at the same time, he is not: their dialogue is fatuous, unreflective, and insipid. Their voices bounce against the voice of the narrator and shatter into pieces. The contrapuntal use of sound as the scene continues reveals a gangster world that is as fragile as it is glamorous -- the slightest glitch could bring the whole thing to a crash. Indeed, this entire world is fake -- from the "glitz" to the laughter -- everything is forced: nothing is real. In fact, the most "genuine" thing seems...

"Abstract for 'let it bleed,' the Music in Goodfellas." Popular Music
and Society vol. 15, no. 3, 1991.

Mast, Gerald. A Short History of the Movies. NY: Pearson Longman, 2006.

O'Steen, Bobbie. The Invisible Cut. Studio City, CA: Michael Wiese Productions.

Scorsese, Martin, dir. Goodfellas. LA: Warner Bros., 1990.

Sources used in this document:
Works Cited

Robert Condren. "Abstract for 'let it bleed,' the Music in Goodfellas." Popular Music

and Society vol. 15, no. 3, 1991.

Mast, Gerald. A Short History of the Movies. NY: Pearson Longman, 2006.

O'Steen, Bobbie. The Invisible Cut. Studio City, CA: Michael Wiese Productions.
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