¶ … Robert Hayden's "The Whipping," and Theodore Roethke's "My Papa's Waltz" describe child abuse. Both poets have similar approaches to this weighty and sensitive subject matter. Hayden and Roethke avoid cliches, self-righteousness, or judgmentalism, instead choosing to focus on the complex psychology underlying these issues. However, neither poet is willing to overlook the need for compassion and sympathy, even when dealing with abusive parents. This isn't to say that Hayden and Roethke are insensitive or apologetic; quite the contrary, both poets convey the pain and suffering associated with child abuse. Using exquisite lyrics and diction, the general theme is easy to figure out in both these poems. However, Hayden's is told from the perspective of an onlooker or neighbor, while Roethke's poem is told in first person, by the abused child. "The Whipping" is written...
In spite of their different literary and poetic styles and structures, both Hayden's "The Whipping" and Roethke's "My Papa's Waltz" convey the pain of child abuse.Bear Globally, there are eight bear species in the Family Ursidae (Order Carnivora), three of which are found in Canada: The Black bear, the brown bear and the polar bear. Black bear still occupy 85% of their historic Canadian range and 62% of the original North American range (Kolenosky and Strathearn 1987, Pelton 2000). In North America, black bears evolved as forest dwellers and most populations are currently stable or increasing (Brown,
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" July, 1941 (p423) It is easy to see, even with the examples given from 1933-1941, the progression of the use of deleterious language, slang, phrases, descriptive terms, and the increased use of various media to project it. Klemperer asks himself why so many decent people he knew would all remark of Hitler: "You can't resist him." His conclusion is that National Socialism was a religion and its publicly staged spectacles, with
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One of the eyes is cracked. The last room Karen checks is the kitchen. She is still holding and petting the teddy bear when she stops in front of the sink. She stares at the spot on the counter where the teddy bear had landed that time that Mark threw it across the room. The camera is behind Karen but as she turns around, it focuses on the back of
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