Reasoning Behind the Title: To Kill a Mockingbird
To Kill a Mockingbird took the form of a novel before its adaptation into a film. This is a work that has a strong literal and metaphorical link to the title. To Kill a Mockingbird is an infinitive phrase that describes an action. The title is a phrase that communicates part of the main theme of the novel. By the time the reader has completed the novel, the reader should understand quite clearly what the consequences of killing a mockingbird in real life as well as within the context of the narrative. Mockingbirds, as the novel expounds upon, represent innocence and joy. Through various actions in the novel and as demonstrated through nearly all of the character arcs in the story, to kill a mockingbird is a solemn tragedy.
Characters such as Jem, Dill, Tom Robinson, Mr. Raymond, and Boo Radley are the people in the narrative who are most directed connected to mockingbirds. Arthur "Boo" Radley is one of the most mysterious and elusive characters in the novel. He is certainly a character that is the recipient of prejudice by nearly everyone else in the story, including background characters in the town. There are many rumors going around about the type of person Boo Radley is, but there are a rare few who actually get to know Boo. Jem and Scout are the characters that get to know Boo quite well, as Boo seeks them out, in his own way, to be friends and companions. He does not hurt others and is actually quite generous to Jem and Scout by leaving them gifts. Boo is a recluse. Boo additionally looks very strange to the townspeople. He has pale white skin and discolored, gray eyes, likely due to how much time he spends indoors. Yet the townspeople do not take these things into consideration. They only see him as different, strange, and potentially dangerous,...
pervasive philosophies behind many postmodern forms of art and literature is the idea that human identities are defined more by their social circumstances than by any universal truths. The human is not a self-sufficient entity, but is built through social conventions. This notion reveals itself in the transitional postmodern works by Samuel Beckett and Vladimir Nabokov -- specifically, in Lolita and Waiting for Godot. Humbert is continually attempting to
He clarifies his status i.e. A spiritual leader and a learned person by using well chosen ethos of St. Aquinas, Jesus and Paul therefore puts him forth as a trustworthy person. Also being an African-American makes him the right person to participate in this event because he understands the situation properly. By use of logos he explains the reason behind the actions of the black persons of which the
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