¶ … Dracula and its psychological perspective. The writer uses aspects of the plot to detail the various psychological aspects of the story itself with a focus on the people whose diaries and journal entries are psychologically driven. The writer offers a psycho-analytic interpretation to Dracula. There were two sources used to complete this paper.
The entire story of Dracula is founded in the need to believe survival is a given with mankind. One of the first things the reader becomes aware of is the underlying common belief that the castle of Dracula is evil. The journal being quoted in chapter one provides this understanding with the reaction of the innkeeper, his wife and the village residents when John sets travel plans to be taken to the castle. The psychological need to be more powerful than evil is something that is as old as time. People have a need to believe that they are in control of their safety and even in the face of pure evil there are things that they can do to protect themselves. This is evidenced when Jonathan gets ready to leave for the castle and the villagers are standing around providing various physical signals meant to protect Jonathan from evil when he gets to the castle (Stoker pp 14).
In addition the landlord's wife gives Jonathan a crucifix for the purpose of protection which is another indicator of the psychological need to believe there is some measure of control over self-protection. Jonathan accepts the gift though he does not believe in its protective values (Stoker pg 13).
The story of Dracula is set in an extremely important psychological era. It was a time when science and religion were beginning to butt heads. The science minded in the world were challenging the religious beliefs that had been adhered to for many years before hand. The story of Dracula divided the people into two camps. One camp believed in the evil of the vampire called Dracula and the...
Dracula Through the Lens of Freud Count Dracula is one of the most recognizable figures in the world today; his name has become synonymous with vampires and with the sexualization of horror. In fact, the sexual aspect of Dracula has become one of the most commented upon features of the figure and of his story. There is certainly a huge basis for such an emphasis in Bram Stoker's original novel. In
The girl is freed from her captor, but only at the cost of the life and soul of the young priest: the power of Christ merely served to anger the devil -- it did not subjugate him; such would have been too meaningful in the relativistic climate of the 70s. The 70's sexual and political revolutions were intertwined to such an extent that hardcore pornography and Feminist politics appeared on
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