Post-World War II Photographers
Because post-modernism does not have a standard definition or set of common characteristics it is basically best described as the rejection of modernism (http://members.tripod.com/ambro32/postmod.html).The world has been changing in terms of politics, economic and social systems since World War II as it rapidly moves into the Information Age (http://members.tripod.com/ambro32/postmod.html).Modern photographers recorded life from their perspective, while advocates of post-modern photography claim that photographs simply confirm the power relationships in a society (Norfleet 1995).
Post-World War II modern photographers challenged the "existing notions of what a photograph should look like, what it could contain and what it might mean" (Turner 1987). Gone were "all the woolly, successful photo-sentiments about human-family hood" of the previous half a century of photography. Modern photographers were not replacing the old, they merely had a new landscape to view, one that was of "concept, where what was photographed took on a lesser role when set against the fact of how it looked as a photograph"(Turner 1987). Photography of the 1960's and 1970's was based "less on judgmental views of society or an unraveling of the human condition and more on the act of photographing itself" (Turner 1987).
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Many critics consider the name Godot to be a hidden name for God. Godot in the end is a paradox. The dramatist described in his play the person at the end of the World War II. It is a person who can be characterized as master and victim of will. The characters have a will but their wishes destroy them. The characters are waiting for someone or something to
Art History War Imagery in Ancient and Contemporary Art Considering the backdrop of politics and war is an important part of understanding ancient and contemporary art (Stockstad, 2003, p. 468). Historians can tell a lot about the actual events and feelings that occurred during wartime by looking at the rat of the time. As the twentieth century dawned, many European and Americans had an optimistic outlook on life, believing that human society would
location will lend knowledge to the present and the future. As a citizen of any region understanding the how and why of historical reflections upon the landscape of a city or town is crucial for a holistic view of the culture, economy and even of that town landscape. Without this knowledge decisions made by an individual can seem to lack in depth and purpose. The history of California, it's
However, I think we also share the common elements of having been very highly-trained as artists. Both of us studied art extensively, and did not limit ourselves to filmography or photography in our studies. Therefore, we share a very solid classical artistic background, and I think that comes through in the strength of our works, even though we approach our work with a very different style. HENRI CARTIER-BRESSON: Tacita is
post-World War II reconstruction was essential because of the housing shortage and harsh economic conditions in the United States. In response to the post-war economic recession, the Case Houses Program was organized to design housing units for the middle-class American families, and the building materials were targeted to achieve the construction goal using the steel framing to build the structure[footnoteRef:1]. Typically, the program encouraged the designers and architects to
Safeguarding the privacy of the respondents is vital. Setting a certain criteria to guarantee the security and privacy of the respondents will be useful like informing the respondents that their names will be kept confidential, their location and company will be mentioned only if they give their consent, participation is completely voluntary, and it cannot be imposed. In any way, no such information will be publicized that can help to
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