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Political Environment The Impact Of Term Paper

The contrasts of these elements in the artwork also represent the controversy embodied in Che's life and work. Che's life was composed of a dedication to love and had grand ideals of elevating man in society. Though in attempts to achieve his goals, Che resorted to the use of violence and was also known by his violent deeds. The mural portrays those elements by providing an artistic representation of the contrast. On one hand, there are peaceful and tranquil colors shown in a serene environment in nature that represent the aspirations of Che and the Cuban Revolution. On the other hand, the rifle is shown almost centered in the mural. Furthermore, it is the darkest element the mural incorporates.

Conclusion

Using a story board to tell a story is far from a new phenomenon. Artist used to depict the story of Christ by creating stained glass storyboards that were adorned in churches beginning shortly after the conception of the new millennia. Going farther back than that, you could...

Mederos blended his technical skills, artistic abilities, and political ambitious to tell the story of the Cuban Revolution through similar portrayals using modern production methods. This in turn, helped shape the cultural in Cuba; the same culture that acts to suppress the pressures from the United States. Through extrapolation of this two ideas, it is easy to speculate that Cuba has built a powerful culture that will be a force to reckon with for years to come.
Works Cited

Brociner, Ken, David Kunzle, and Lincoln Cushing. "Obiturary." Cuba Poster Project, 1996.

Guevara, Che. "Socialism and Man in Cuba." Marcha, 1965.

Pazos, Felix Rene Mederos. "#10 Che series." Cuba Poster Project. 1992.

Rivadulla, Eladio. "The Film Poster in Cuba (1940 -- 1959)." Design Issues, 2000: p36-44.

Thomas, Hugh. Cuba, or the Pursuit of Freedom. 1971.

Sources used in this document:
Works Cited

Brociner, Ken, David Kunzle, and Lincoln Cushing. "Obiturary." Cuba Poster Project, 1996.

Guevara, Che. "Socialism and Man in Cuba." Marcha, 1965.

Pazos, Felix Rene Mederos. "#10 Che series." Cuba Poster Project. 1992.

Rivadulla, Eladio. "The Film Poster in Cuba (1940 -- 1959)." Design Issues, 2000: p36-44.
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