Shakespeare's Sonnet 18, is an exercise in self-proclaiming metaphoric style. The intent of the sonnet is to show off the writer's skill at turning words and not the expressed topic of the poem, the ability to use every summer-related metaphor he can to discuss not his love, perhaps, but the subject of his expression. While many interpretations of this sonnet assert that it is a love-poem, that it is a dedication or ode to a specific woman, it can be clearly stated that the poem is not about love, but about the central metaphor itself - as though the subject is simply an exercise. As an exercise in the use of metaphor to describe the objectified woman at the center of the work, Sonnet 18, is perhaps the primary archetypal demonstration of overdone, syrupy, and quite saccharine expressions that are likely to appeal to the "hopeless" romantic. Sonnet 18, takes place in the present and encompasses no time, space, or location. The entire body of the sonnet is focused on the delivery of language and, as such, it has no substance - as though Shakespeare were making fun of the genre and the typical fare. The poem consists entirely of a description of a person (the subject) using summer-related metaphors. The poem begins with the establishment of the theme, the comparison of the subject to a "summer's day." It then employs metaphors involving weather, nature, temporal space, color, the nature of youth...
The intent of these metaphors is to use both physical and abstract relationships to the subject in a single comprehensive use of the established context.
Shakespeare's Sonnets 18, 73, 97 Poets have often looked to nature for inspiration and as a vehicle for self-expression. Throughout his lifetime, William Shakespeare is known to have written 154 sonnets, which cover various topics such as love, mortality, and the passage of time. Of these sonnets, sonnet numbers 18, 73, and 97 incorporate seasonal symbols that allow Shakespeare to express his love, the passage of time and its effect on
..come kiss me, sweet and twenty,/Youth's a stuff will not endure." Although the singer of "O Mistress Mine" is equally aware as the author of Sonnet 18 that life is not forever, and we must love while we can, his attitude is not to make sense of this by trying to create something permanent in the form of a poem, but to entertain and achieve an objective of a kiss! Life
(Shakespeare 1994) The play stands out from many aspects. However, there are some elements which make it one of the most important of Shakespeare's works and one of the most acclaimed. The tragedy comes from the eventual incompatibility between true love and the code of honor. Convinced by Iago's evil plan that his wife was unfaithful, Othello the Moor of Venice becomes blind to any explication and swears revenge. In
Thus, Shakespeare's poems have shown that they deal with timeless topics, topics that have proved their worth over time, such as love, passion, and writing. Throughout time, however, Shakespeare's reputation of a writer did, indeed, change. While he was known as a businessman and patron of the arts during his life, it is suspected that he was not celebrated for his masterful writing until after his death ("Shakespeare Biography"). Today,
Shakespeare Shall I Compare Thee to a Summer's Day The explication of Shakespeare's sonnet, "Shall I Compare Thee to a Summer's Day" has been done ad nauseum. A quick web search will pull up a million websites dedicated to Shakespearean sonnets, and each of these domains will have its own, slightly different interpretation and analysis of the oft-cited and much praised Sonnet 18. But the reality is the poem says what it
For the poet, Christianity must be devoid of the cultures of corruption and hypocrisy that prevailed during his time. Ideally, a religion, in order to be respected and followed by the people, must maintain a clean image -- that is, an image that reflects the truth of its teachings, wherein its religious principles are embodied by the people who make up the Church. It is also through "Canterbury" that Chaucer
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