¶ … philosophy of Seneca and Nietzsche
In Gabriel Garcia Marquez's the challenge.
From the birth of humankind, the individual's propensity to suffering has caused great turmoil, both on the individual level, and in societal discourse.
Two of the greatest issues within the problem of suffering, or of "difficulties," include the misguided notion that problems and pain are impediments to success, and the notion that inevitable suffering, whether from sudden chance, or deliberate action (although, that, too, is always influenced by chance), is just or unjust.
Fredrich Nietzsche, after spending the years of his youth under a mistaken belief in the avoidance of suffering though avoidance of life, reversed his position and, instead, championed the philosophy that suffering is good and inevitable, due to its purifying and improving influence upon life, understanding, and art. He writes that one must be someone who "no longer denies..."
Goodness, success, happiness arises out of the lowest misfortune, failure, and misery. One may not grow or achieve true greatness without suffering, negative experience and emotions. We should not be distressed by our problems and difficulties themselves, but from our ability to better ourselves through them... "We no longer marvel at dentists who pull out teeth to stop them from hurting."
Out of ancient Rome came another philosopher who proposed that freedom from the anxiety, suffering, and despair of negative events can be prevented by the simple elimination of expectation. He wrote, "You say, 'I did not think it would happen.' Do you think there is anything that will not happen, when you know that it is possible to happen?" By this, he means, good or bad, painful or not, one must expect every possibility of disaster (or goodness) as a possibility of Fortune.
The Challenge is a personal history story of "a young writer proving himself,"...
Gabriel Garcia Marquez's Chronicle of a Death Foretold and Franz Kafka's The Metamorphosis both place the protagonist in opposition to a prevailing family structure. At the same time, the family structure dictates personal identity, character traits, worldviews, and reactions to events. In Chronicle of a Death Foretold and in The Metamorphosis, personal identities are malleable and yet the changes that occur take place within a confining social structure at which
Particularly the Caribbean. To grow up in such an environment is to have fantastic resources for poetry. Also, in the Caribbean, we are capable of believing anything, because we have the influences of [Indian, pirate, African, and European] cultures, mixed in with Catholicism and our own local beliefs. I think that gives us an open-mindedness to look beyond apparent reality (Sidelights, 2006). Similarly, Love in the Time of Cholera, set
The use of Magical Realism by Marquez is a technique for writing that does not distinguish between what is real and what is fantastic and a "value literary label that has been applied to many writers." (Sickles, nd, p.24) it was the desire of Marquez to capture the voice of his grandmother in his writings. Marquez used Magical Realism in the incorporation of mythical elements into realistic fiction and
Gabriel Garcia Marquez and Isabel Allende use unconventional story structures, complex themes, and characterizations to convey the social, political, and cultural realities of Latin America. One Hundred Years of Solitude traces the evolution of one town, through the eyes and soul of its most prominent family. In spite of the radical transformations that transpire over the course of one hundred years in the life of Macondo, Marquez shows that
Love Time Cholera Gabriel Garcia Marquez. You focus detail analysis book Sick Love The principle theme of Gabriel Garcia Marquez' novel, Love in the Time of Cholera, is that love functions as a disease. There are a number of similarities between love and diseases such as cholera -- they each can infect the body, mind, and spirit, they are contagious, and ultimately they can consume people. The author presents numerous instances that
Finally, the entire fabric of the novel indicates how Columbia and Latin America altered through the 19th and early 20th centuries, and how the people changed as well. The families and characters of the story endure, and they represent the Latin American people - devoted to family, spiritual, independent, and proud. They represent the culture that has slowly died, and literally are a step back in time to look at
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