House I Live in directed by Eugene Jarecki is a narrative documentary about the "war on drugs" and the collateral damage that is occurring with the ordinary lives of citizens often serving prison time for minor, drug-related offenses. "Jarecki asserts -- as he sifts through the data, weighs the evidence and checks in with those on both sides of the law -- a war that has led to mass incarcerations characterized by profound racial disparities and that ha he title of the documentary isn't purely metaphoric" (Dargis, 2012). One of the most effective elements of the film is that Jarecki starts from personal experience: he grew up with a nanny named Ms. Jeter, who was like another mother to him, and he saw how her family overlapped with and how their worlds too became more like a Venn diagram. As Jarecki explains, as the members of Ms. Jeter's family got older, they became saddled with things like poverty, joblessness and crime. Jarecki was surprised at the simple answer this second mother gave him when he asked her what had gone wrong with her family members: she simply replied that it was drugs: Jarecki then uses the constructed rapport between him (as a white man) and his nanny as a child (a black woman) to develop a strong argument about drugs in America, and with it, race and class. As one...
"The film credits Richard Nixon with the contemporary beginnings of the charade (Mr. Nixon supposedly first coined the phrase in the media, and then the Reagans drove it home with a vengeance in the 1980s). The film then strategically shows us that nothing has changed since the streets are no safer and the drugs are still prevalent. The money is still spent with reckless abandon" (Beaver, 2012). The film address two important questions: how is it that our society has evolved into one where drugs are needs? The other question is, why is it that historically a pattern persists where an enemy will be pinpointed, and then discredits, with all rights seized and then effort is made to eradicate the rights of this enemy from the planet? The film asserts that "The War on Drugs" is nothing more than a slow Holocaust.
However, when it comes to health-related issues, I do not believe that subjective personal impressions and feelings can influence one's ethical decision-making. The evidence is clear that smoking is harmful to the smoker, and also to the person who inhales second-hand smoke. Additionally, we were in my parents' home. I know that they have hard and fast rules about smoking on their property. My friend took a different point-of-view: he acquiesced
This in another deceptively simple painting, which evokes the relationship between geese and nature in a few brush strokes. The background of is blank and bare, referring to the concept of nothingness, and the two geese are sketched in relation to a few lines which represent reeds. The work suggests a sense of great depth and space as well as the mystery of nature. Robert Motherwell Figure 1. Elegy to the Spanish
In this example, morality is decided by the gain, pleasure, and other self-interest of the individual donning the ring. Such individuals would more than likely obtain this gain by committing illicit activities, such as robbing a bank, but use their winnings for fairly self-absorbed means to further their consumption of whatever suits their fancy. Houses, cars, women and other material items would more than likely be procured, for the
Nora's life has been made economically easy by her husband, but that subordination is what takes the ease out of her life of comfort. Torvald is the dominant partner in their marriage. Without his consent, she cannot make major decisions, like make a loan, without her husband's permission. "Frankenstein" is also about parental and filial obligation and relationship. Dr. Victor Frankenstein is the creator and father of the monster,
Environment and the Two Major Political Parties When one thinks of Democrats and Republicans thoughts typically run to images of two diametrically opposed platforms. Yet, despite political ranting, both parties have been concerned for the environment in which we live, for more than 40 years. This paper will look at the two parties, and their basic differences, then examine the history of environmental legislation. From this, an understanding will be brought
Adele Weder might have had this renovation in mind, when she described D'Arcy's constructions as being Modernistic, graceful, and well-proportioned. The lightness of his touch and grace illuminates this dwelling. Prefabricated cabin. The Cowboy cabin Set squarely in the woods, the Cowboy cabin is a flat-pack cabin, one-story, well proportioned as all of D'Arcy creations are, and resonating with its landscape and surroundings by the use of scrubbed, unadorned wood. D'Arcy shocks again by
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