Oshina, the wives' character in the novel, could be the impersonation of any hardworking farmer's wife during the Meiji Restoration in Japan. The hardship of the life in a village struggling to adjust to the wave of modernity swiping the country, but still very deeply rooted in the previous period was plausible in the case of those who did not own much land or the means to improve their living standards from other not farm-related activities. "At all hours of the day, as long as there was light, Oshina kept busy at one task or another; soaking straw from rope making, sweeping up leaves, her hands were never idle" (Nagatsuka, 1). The lives of the farmers like those described by Nagatsuka were subject to rapid change since the early stages of the Meiji Restoration, despite their initial set back. The example for the next generation of female workers in the factories of the modern Japan was set by women like Oshina. "Leke their mothers and grandmothers before them in pre-Meiji times, they have routinely seen female as well as male offspring of peasant families "going out to work" (dekasegi) in a place beyond commuting to the home village (Tsurumi, 10).
The description of a common farmer's wife in ethnographic studies about peasant life pre and immediately post Meiji restoration fits the mother character in the Soil. Patricia Tsurumi's research work, gathered under the title: Factory Girls, sheds some light on the lives of the common peasant women that will populate most of the factories where there knowledge to weave, spin cotton or reel silk was put to good use. The peasant family depended heavily on all the family members, male or female. The gender differences in the peasant life of the Meiji era continues to be manifested in the amount paid for the same kind of labor in many activities and in the places they plaid in the family and in society, but the women were nevertheless respected and praised for their role in the family and thus, when it came to the family life, they were able to take part in the decision making up to a certain level. This position extended to the village life as well (idem, 16). Interestingly enough, when thinking of the same period in Europe, the marriages among the peasants were usually left at the partners' will and the husband and wife were often even having sexual relations before the actual marriage took place. Unlike the samurai during the Tokugawa period and more recently, the landlords and the rich merchants, the peasants could not only choose whomever they wanted as their spouse, they could also divorce him or her if the situation asked for such a measure and remarry someone else (Nagatsuka, Waswo,; Tsurumi).
Another important source of information about the peasantry life in Japan during the Meiji restoration is provided by Anne Walthall's book: The Weak Body of a Useless Woman.
The book tells the story of Matsuo Taseko, a Japanese peasant who overcame her condition by becoming involved in the events that led to the Meiji restoration and those after that and she also became a poet. Matsuo Taseko was no ordinary woman, but her life is presented in the circumstances of extraordinary events made happen by ordinary people. The introduction to this book reveals the description of a typical peasant woman, born during the Tokugawa period: "Matsuo Taseko was born a peasant in the mountains of central Japan in 1811. She married at the age of eighteen, gave birth to ten children of whom seven survived to adulthood, raised silkworms, and helped her husband mange his family's affairs" (Walthall, 1). Being born into a richer peasant family, Matsuo Taseko had a marriage that was most likely arranged. The wealthier peasants used to tie knots with others that were having about the same economic situation by means of marriage. This was the way the Takemura and Matsuo families made an alliance. Like Nagatsuka Takashi, Walthall is also mentioning the habit of adopting sons-in-law in the case of families that were having only daughters, since the family affairs were usually to be overtaken from the head of the house upon his retirement or death, by a man. The Takemura, the family Taseko came from is described in the book as a family that had to use this custom for several generations since they had only daughters for some time. Another way of adopting a son into a family, beside the habit of adapting a son-in-law who...
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