The temple itself was built to embody Athena's presence, both in its intention and in its physical construction.
For example, the columns used in Greek temples were the Doric, Ionic, and the Corinthian. The Doric was "not only a type of column, but an 'order'; this means that the temples of the Doric order not only have this type of column, but also have a certain structure at the upper levels" (Silverman). Furthermore, there were other stylistic elements of the Parthenon that demonstrated its religious significance. The Metopes were a series of small structures on the sides of the Parthenon. The Metopes depicted various battles between order and chaos. The Pediments on the Parthenon, which are relief sculptures that are larger than the Metopes, depict events in the life of Athena. In addition, there is a frieze running along the upper edge of the wall of the Parthenon. The frieze contains a procession of figures that served a variety of ritual functions. The actual subject of the procession is the topic of vehement scholarly debate. Some scholars believe that the frieze depicts an actual procession that occurred at the time that the Parthenon was built, while others believe that it depicts a mythological procession.
The Parthenon is the perfect topic for research into Greek studies because it demonstrates the function of religion in the life of ancient Greeks. To the ancient Greeks, their gods and goddesses played a role in their everyday lives. The gods and goddesses actively intervened in the lives of the ancient Greeks. Furthermore, the Greeks,...
Western Culture The Parthenon was built approximately 2500 years ago and dedicated as a temple to Athena, the Greek goddess. It was used by the Athenians first as a church, then as a mosque, before later becoming an archeological ruin (British Museum, n.d.). Its use as a gunpowder store during the 1687 Venetian reign in Athens caused its roof to be blown off, leaving the Parthenon a mere ruin, and destroying
Still many within the international museum community believe that such a gesture would lead to a disintegration of the purpose of a museum collection in the first place. It would unleash a flood of demands for other treasures to be returned. If anything such a gesture will change how museums share their information and remain accountable. This could change how historians to take in account such factors and eliminate such
3. Curriculum or Method of the Study The research methodology that was applied in this study was essentially an inclusive, extensive and comparative overview of the literature on the subject. Various sources were consulted, which included books and scholarly articles on the column in architectural history. Also included in the literature survey was information and data from online databases and verified websites. The information gleaned about columns and their historical context was
In addition, a theorized creation period is given, as well as the current location of the statue. However, very little other detail is given for this important piece. Kortum, R. Warrior Vase. No date. East Tennessee State University. October 16, 2006 http://faculty.etsu.edu/kortumr/05mycenae/htmdescriptionpages/12vase.htm. The author, a professor at East Tennessee State, gives a brief description of the krater (mixing bowl) pottery from the 12th century BC and now housed in the National
3. When he says architecture to-day is no longer conscious of its own beginnings, what does this seem to mean? What is his problem with architects, and do you think it is a problem? What he means by this is that when architecture first came about it was born from someone's imagination and their viewpoints. There was nothing to compare it to and thus was original and novel. Le Corbusier is
intended familiarize incredible research tool -- online databaseID Gurstein, Rochelle. "The Elgin Marbles, Romanticism & the Waning of 'Ideal Beauty.'" Daedalus, 131. 4 (Fall, 2002), pp. 88-100. Stable URL: [30 Mar 2012] The bringing of the Elgin Marbles to the British Museum was intended to herald in a new era of neoclassical art but instead, the unexpectedly vital and lifelike images depicted on the Marbles caused many emerging British artists to
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