It is this lead character's outrage that drives the plot, rather than any journey of self-discovery or some fateful intervention. This is seen when Antigone declares her defiance of the king: "I will bury him myself. / and if death comes, so be it. / There'll be glory in it. / ... The gods will be proud of me." Rather than placing the importance of the gods first, Antigone views her own actions as of primary importance. There is also a heavy element of introspection in both plays; it is Oedipus' attempt to discover the past of his kingdom that reveals his own personal past, and it is this self-discovery that leads to the tragedy of the play. Oedipus himself reveals the personal nature of this tragedy when he says "nor needs to tell / How your whole state is sick, for howsoe'er / Ye sicken, sicker is this heart of mine." His personal focus comes as a result of external events, which contrasts to Antigone's perceived control of external realities in Burial at Thebes, but it reveals a similar consideration of the outcome of the plot. Antigone is equally introspective in Burial at Thebes, and equally wary as to the outcome of her actions. But instead of seeing her past actions and the ways in which they might have defied fate and the gods, Antigone sees her future actions and her own independence as the main ways by which she might affect her future. Oedipus Rex is a play about how it is impossible to escape...
Even in this instance, then, Antigone's self-perceived agency in Burial at Thebes is much greater than Oedipus' in Oedipus Rex.His nephew turned against his own country and he got what he deserved. but, in king Creon's view, death is not enough. He believes in setting an example and uses the occasion as an opportunity to make a point and warn all those who dared to defy their country of the fate that was expecting them, too. In this case, King Creon is wrong, because he will eventually pay
Antigone and Oedipus Rex are both tragic plays by Sophocles. In many ways, these plays are similar to one another as tragedies. For one, they are part of the same set of texts by Sophocles. Antigone is the first installment in the series of three plays. Oedipus the King (Oedipus Rex) is the second of the trilogy. Second, the title characters in the plays are related, as Antigone is the
Tragedy in the Oedipus Trilogy Sophocles is considered to be one of the greatest Greek dramatists, and remains among the most renowned playwrights even today. The Greek tragedy is one of the most influential genres of literary and theatrical history on the modern drama and theatre. The theatre of ancient Greece was inspired by the worship of Dionysus, and the performance of plays was considered to be a religious experience for
Ismene would later be pardoned, but Antigone's decision to include her sister in the plot denotes further criminality on Antigone's part. In any case, the crime that Antigone commits is relatively minor: she is not harming anyone and is actually following the law of custom, tradition, and religion, a law which Antigone places before any law of the mundane world. Ironically, her suicide can be interpreted as a further violation
contemplated an individual's relationship with his or her environment. In Oedipus Rex and Antigone, Sophocles explores the relationship an individual has with the world and society. In each of these plays, Sophocles juxtaposes divinity and humanity and investigates the role of each within Theban society as well as looks into conflicts that arise when the laws of man conflict with divine laws. Through their narratives, Oedipus Rex and Antigone
Sophocles' "Antigone" Antigone is motivated to disobey Creon's edict and give her brother, Polyneices, a proper burial because she believes both Eteocles and Polyneices deserve the same honor, to be reunited with their deceased parents to live in death in Hades. Antigone says, (lines 21-22) "Yea, hath not Creon, of our two brothers slain, honored with burial one, disdained the other?" This line shows Antigone's disagreement with Creon's decision to not
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