He completely looses himself in the image of his mother. He is so dissociated that he does not even know he is the one conducting the action of murder. Norman is "horrified to discover that his mother (actually his sub-personality) has stabbed a woman to death in the shower," (Comer 2003:224). To him, it was his mother, whom he has no control over. When he slips into that state Norman Bates disappears; he dissociates himself from a potentially harmful situation and allows the dominant personality of his mother take over completely. In the end, after all the trauma, Norman completely recedes into himself; "You see, when the mind houses two personalities, there's always a conflict, a battle. In Norman's case, the battle is over…and the dominant personality has won," (Hitchcock 160). His mother, who serves as his safety net, completely takes over when his psychosis...
Alfred Hitchcock is a master of suspense and with the character of Norman Bates shows the strange development of an abused boy isolated from reality in a terrifying and exciting plot line. His crimes and psychosis will forever live in movie infamy.
Grammar P1S1: Clumsy; the word "alike" can easily be removed. P1S3: Clumsy sentence again. P2S1: the term "self-relationship" is not common; does this mean his relationship with himself? P2: "Although it is desired that men coven the female, Norman possesses a sub-conscious yearning to have effeminate qualities rather than a want for the female as property." This sentence is terrible. For one, the word "covet" and not "coven" is intended. Second, "for want for
In conclusion, costumes are used in two essential ways in the film. The first is that it reinforces the sense of normalcy and creates a background that juxtaposes and heightens the horror and drama of the film. The second use of costume in the way that Bates dresses as his mother is a complete transgression of normalcy and psychologically and socially diametrically opposed to the mundane costumes worn by the
Psycho Alfred Hitchcok's Psycho was released in 1960, and encapsulates the social, psychological, and political tensions of the Cold War era. As Raubicheck and Serebnick point out, Psycho could have been a bridge to the 1960s but the film is "less linked to and reflective of the so-called radical sixties than they are of the more controlled fifties and possess more cultural texture of this earlier era," (17). The issues related
Psycho is a 1960 horror-thriller film directed by Alfred Hitchcock that follows the demise of Marion Crane, played by Janet Leigh, at the hands of Norman Bates, played by Anthony Perkins, after she embezzles $40,000 and attempts to leave her former life behind (Psycho). Through the unique use of editing techniques and ominous cinematography, Hitchcock is able to create a film that is visually alluring and draws its audience into
Analysis of Psycho Alfred Hitchcock directed a movie called Psycho in 1960. The movie is a horror laced with lots of psychological suspense. The movie storyline is developed from Psycho, a novel written by Robert Block and published in 1959. The novel, on its part, drew inspiration from Ed Gein murders. Psycho has been widely regarded as the first-ever slasher film. Although it got mixed reviews at the onset, it is
Essay Topic Examples 1. The Use of Color as Symbolism in Film: This essay will delve into how filmmakers use color to convey themes, emotions, and character traits. It will explore examples like the prevalent green in "The Matrix" signifying the artificiality of the virtual world, the red coat in "Schindler's List" as a symbol of innocence among chaos, and the contrasting palettes in "Am�lie" to accentuate the protagonist's whimsical experiences versus
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