However, critics complain that although the creatures created are fascinating as will be discussed later, the merging of special effects with the film itself is far from seamless. "Alas much of the effects work is considerably underset by thick matte lines - uncharacteristically poor work from Brian Johnson" (Scheib). Those thick matte lines are very visible at times during the film, particularly during the flying sequences when Flagor flies

O Brother, Where Art Thou? Homer in Hollywood: The Coen Brothers' O Brother, Where Art Thou? Could a Hollywood filmmaker adapt Homer's Odyssey for the screen in the same way that James Joyce did for the Modernist novel? The idea of a high-art film adaptation of the Odyssey is actually at the center of the plot of Jean-Luc Godard's 1963 film Contempt, and the Alberto Moravia novel on which Godard's film is

326). Likewise, Dagbovie (2005) points out that Ray Charles drew on black history for his inspiration during a period in American history when the "tradition of protest" had not yet been firmly established. Another biographer suggests that the musical genius of Ray Charles helped him reach a prominent place in American society where he could make a difference in the Civil Rights Movement: "James Brown fathered funk; Sly Stone