German Culture
In the music field, Germany boasts of some of the world's most renowned producers, composers and performers. Germany is the third largest music market in the world and the largest in Europe. The earliest roots of the music culture in Germany are within monastic chants and religious music. The 12th century saw the mystic abbess Hildegard who was from Bingen writing storing compositions and hymns. These were sought to be free musical expressions coming from narrow conventions. Between the 12th and 14th century, minnesingers who were wandering nobles and knights wrote and recited love poems in country version in the tradition of French trovers and troubadours. Out of the many minnesingers during that period of time, Reinmar Von Hagenau and Walther Von de Vogelweide were the most famous ones. Apart from the minnesingers there was also the development of a secular folk music tradition. There are collections of vagabond ands student music that have survived that include the Carmina Burana verses wrote in the 13th century Bavaria. These were set off in the 20th century by Carl Orlf. Between the 14th and 16th century the German middle class was in favor of rigid music styles that were composed by musicians and poets that were part of the Meistersinger guild (Counterquest, 2009).
Classical music in Germany started from the 16th Century to the present day. Germans had assumed a leading role when it came to the development of classical music. This kind of music is valued all over Germany. Children are often encouraged to play...
In other words each music performance is different and the impulsiveness of each performance confirms the concept of indeterminate music. 6) Describe an Indonesian Gamelan. (Textbook p. 282-283) It said that Debussy, when he heard the Indonesian ensemble called gamelan was surprisingly delighted at its diverse and delicate timbers, and decided to use the elements in the impressionistic sound which he was working at developing. The gamelan, a distinctive Indonesian orchestra consisting
Since the valuation of a God had been essentially devaluated, what was to be the source of revaluation in the modern world? No answer could satisfy Ives, for his society saw no return to the societal standards and beliefs of the age of Bach, which gave explicit valuation to all things, especially music -- as seen in Bach's mastering of counterpoint. Schoenberg's inverted counterpoint is the antithesis of that
In his book Lynskey notes that during George W. Bush's administration, when Bush made anti-war people angry by invading Iraq, Neil Young sand "Let's Impeach the President." Earlier in his career Neil Young responded to the killing of four students (by the National Guard) in Kent State in 1970 by writing the protest song, "Ohio," which was performed by Crosby, Stills, Nash and Young. Lynskey called it a "masterpiece" or
Music Producers Biographical Introduction: Teo Macero Producers work behind the scenes and are the unsung heroes of music. While some producers receive public notoriety like Brian Eno and George Martin; others like Teo Macero remain known mainly to music scholars and serious audiophiles. In 2008, when Macero died, The New York Times ran an obituary with the tagline: "Teo Macero, 82, Record Producer," as if readers would need that crucial bit of
Music Since 1900 A Survey of Three Works by Ives, Schoenberg, and Barber In the film Legend of 1900, Tim Roth plays an orphan who grows up aboard the SS Virginian, where he becomes a virtuoso piano player, whose styling rivals the greatest Jazz pianists of the early twentieth century. The Italian film is supposed to represent the impermanence of art and the cheapness of capturing a live performance on a record.
Changes in smoking and in the consumption of fruits and vegetables probably played a minor role in this decrease." (Disease Priorities in Developing Countries, nd) This information is shown in the following chart labeled Figure 1. Source: Willet et al. (nd) The work of Beblo and Lauer (2002) reports an analysis of the "intergenerational transmission of poverty from Polish parents to their children through children's educational attainment during the transition process
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