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Theme
The Prince, by Niccolo Machiavelli, is a practical handbook of political advice for leaders. Its primary purpose is to explain the best ways to obtain and keep political power. The essence of Machiavelli's philosophy is that when it comes to gaining and maintaining power, "the ends justify the means" (94). This is the theme throughout the book. Machiavelli analyzes both contemporary and historical examples of rulers, power, and strategy to support his contentions. He begins with an overview of various forms of government and how they might be best manipulated and ruled by a prince. Mixed monarchies serve a new leader's purposes best because they have no remaining hereditary families to oppose a new prince (35-42). Machiavelli then discusses how to rule newly acquired lands. The best way for a prince to consolidate power in a new territory often depends on how the territory was acquired. Machiavelli looks at each case of how new land is obtained and advises leaders how best to retain control in those lands (46-62). Machiavelli even delves into the specifics of military control and what types of troops are best for keeping a prince in power. He concludes that a prince should never place his fate in the hands...
Film Analysis of the Patriot Colonial America For the purposes of this paper, the film of focus will the Patriot. This film was written by Robert Rodat and directed by Roland Emmerich. The film has quite a cast, including stars the late Heath Ledger, and Mel Gibson, both of which have substantial film careers and reputations both on and off the screen. The film was released in 2000 by Columbia Pictures, a
" Prohibiting "a bill of attainder" means that the U.S. Congress cannot pass a law that considers individual or aggregation blameworthy and later discipline them. Disallowing an ex post facto law implies that the U.S. Congress cannot make any given act a crime after the time the act had been committed. It is doubtful that this applies to a few sections of the Patriot Act. Individuals who monitor the Supreme
Effectively, then, the insurgency is leftist, and in the cases of these films, the left wins, either by proxy or by morality and the world is once again a better place. REFERENCES and WORKS CONSULTED Braudy, L. And M. Cohen, eds., (2009). Film Theory and Criticism. Oxford University Press. Burgoyne, R. (2010). Film Nation: Hollywood Looks at U.S. History. University of Minnesota Press. Hayward, S. (2006). Cinema Studies: The Key Concepts. Routledge. Santas, C. (2007).
The interaction between the two is also symbolic of the innocence of the prewar state. Before the war, interactions and romantic interludes between Jew and Caucasian were no problem. During the war, however, Jews were marginalized to the point where they were no longer recognized as human beings. This is symbolized by the harsh treatment of an old Jewish man by a Nazi soldier, also during the beginning scenes.
popular films, The Patriot and Glory to discuss and evaluate leadership illustrations. The writer focuses on the leadership qualities in each film. The writer then explores the differences and similarities between the two especially when it comes to leadership. There were six sources used to complete this paper. Most movie goers will agree that the silver screen productions that they go to view have a theme. The theme may be
Take Minority Report, for instance. In the film, technology is trumpeted as a savior: With the ability to foretell crime, police officers are able to save innocent people from dying. However, the obvious challenges to our constitutional law system are not only latent, they are openly discussed and debated in the work. The courts and legislature, for instance, have yet to decide on the viability of declaring "perpetrators" guilty simply
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