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Motion Picture Directors From The Research Paper

Everybody's Sweetheart is well-known for the fact that it presented 1920 audiences with a storyline to remember and to fantasize about, given that people (those in the South particularly) were going through a difficult period and many of them hoped to accomplish themselves both from a material and from a social point-of-view. In spite of his expertise in analyzing movies, Sandburg cannot help but being visibly impressed by this motion picture.

The Mask of Zorro has, according to Sandburg, triggered waves of appreciation from a movie-crazed American public. People could not ignore all the intriguing elements in the motion picture, especially considering that most of them were innovative for the 1920s. Sandburg's appreciation of the movie is obvious...

Movie reviewers had to go through great efforts in order to express an opinion that would be as impartial as possible, given that they too were impressed from seeing the series of breath-taking elements that directors involved in their films.
Works cited:

Rice Burroughs, Edgar. "Tarzan's Seven Lives." Screen Play Magazine. 1934.

Sandburg, Carl & Bernstein Arnie & Ebert Roger. The movies are: Carl Sandburg's film reviews and essays, 1920-1928. (Lake Claremont Press, 2000).

"INTOLERANCE' IMPRESSIVE.; D.W. Griffith's New Picture Is a Stupendous Spectacle." Retrieved February 8, 2011, from the NY Times Website: http://movies.nytimes.com/movie/review?res=9501E1DF143BE633A25755C0A96F9C946796D6CF

Sources used in this document:
Works cited:

Rice Burroughs, Edgar. "Tarzan's Seven Lives." Screen Play Magazine. 1934.

Sandburg, Carl & Bernstein Arnie & Ebert Roger. The movies are: Carl Sandburg's film reviews and essays, 1920-1928. (Lake Claremont Press, 2000).

"INTOLERANCE' IMPRESSIVE.; D.W. Griffith's New Picture Is a Stupendous Spectacle." Retrieved February 8, 2011, from the NY Times Website: http://movies.nytimes.com/movie/review?res=9501E1DF143BE633A25755C0A96F9C946796D6CF
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