¶ … Mood for Love is a production of Hong Kong cinema, released in the year 2000. The title is not necessarily faithful to the original Chinese, but the gist is the same. The protagonists are at a time in their lives when they need intimacy, emotional bonding, respect, and love from their partners. Unfortunately, their respective marriages are not providing this type of emotional connection and they are left feeling empty and lonely. Their paths cross, as Mr. Chow moves into an apartment next door to Su Li-Zhen. The two quickly develop an intense emotional affair. It is this affair that is the current driving In the Mood for Love. The acting is impeccable in the film. I am emotionally attached to the characters almost as soon as it begins, and I want them to fall in love, run away with one another, and for everything to be ok. The way that their love blossoms is filled with tension, an essential component in developing a good romance. A romantic drama is almost always more satisfying than a romantic comedy because of the realism embedded in the script and on screen. The setting of In the Mood for Love is also compelling. Their lonely meals, both at home and out in Hong Kong food stalls, evoke tremendous sadness because food and eating are symbolically connected with family. These are two creative and deep people who want to maximize their potential but who find themselves lonely instead. The viewer wants them to be happy but alas, the ending is...
Visually, In the Mood for Love uses stunning cinematography. It is set in the 1960s, and the costume design and other elements including the lighting, the set design, and music are consistent. Using filters on cameras helps to anchor the viewer in the past. The era is critical for the outcome of the story, because morals and social norms were different in the 1960s than they are now. Although Hong Kong still has dense housing where secrets can be difficult to keep, social norms have changed and so has the landscape of human relationships. This film reminds the viewer that some things do remain the same, but other things do change. In some ways, social norms are just as traditional, but I believe that this story might have ended differently if it were set in 2013.
45). There are also important racial issues that are examined throughout "A Touch of Evil"; these are accomplished through what Nerrico (1992) terms "visual representations of 'indeterminate' spaces, both physical and corporeal"; the "bordertown and the half-breed, la frontera y el mestizo: a space and a subject whose identities are not fractured but fracture itself, where hyphens, bridges, border stations, and schizophrenia are the rule rather than the exception" (Nericcio,
Midsummer's Night Dream Acting: Were the actors believable in their roles? I did not find all of the actors particularly believable in their roles. I could not help noticing that several of the members of the cast forgot their lines or misspoke their lines, sometimes saying a line in the wrong place. Knowing the play well, this really threw me off and took me out of the moment of the performance. I
Limitless is a film that was released by Relativity Media and Virgin Produced in 2011. The film's primary cast consists of Bradley Cooper, who plays the protagonist, Eddie Morra, Abbie Cornish, who plays Eddie's girlfriend Lindy, and Robert DeNiro, who plays Carl Van Loon, a finance and energy tycoon. The premise of the film is that Eddie, a struggling professional writer, comes across the brother of his ex-wife, Vernon, on
Film Analysis from a Design Perspective: Reading Raging Bull Elements of Design The focus of this paper is a pivotal scene from the film Raging Bull, starring Robert DeNiro as real life middleweight boxer, Jake La Motta. Jake's emotional status is reflected in multiple aspects of the film production, such as his physique and costuming, the cinematography, the editing, and the direction. Film communicates the narrative's physical reality and psychological reality with
Humanities Importance of the humanities in the professions: A comparison of "Paul's Case," Muriel's Wedding and Andy Warhol's rendition of Marilyn Monroe The modern concept of 'celebrity' is that anyone can be famous, provided that he or she embodies an ideal of glamour, using material trappings like clothing and possessions to show his or her 'specialness.' This is a common method of 'selling' a particular product in business. The idea is paradoxical --
Magnolia Paul Thomas Anderson's 1999 film Magnolia depicts a complex web of interlocking events, people, and relationships. The three-hour masterpiece proves that long cinematic journeys need not be tedious, tiresome, products of an overly ambitious producer. The movie is a delightful, rambling, and decidedly human production. The cast combines an array of famous and not-so-famous actors who all deliver star performances. However, its scriptural and cinematographic elements: strong character development, mood,
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