"(Fitzgerald, 2) the image of personality, the "self as process" (Bloom, 189), parallels that of reality as process. Gatsby's own character is for its most part invented, dreamed up into reality, according to a plan he had made when he was nineteen. Fitzgerald's novel is thus an extremely subjective vision of the world, in which the author has a very important voice. As in all modernist novels, reality is obliterated by the artistic and scientific constructions. Fitzgerald tells the story of the American Dream, and the blind belief in idealism. As Breitwieser explains, Fitzgerald's intention is to define the modernist tendency of disconnecting from the real and dissolving into the artistic and the relativist view, just like in the jazz piece Nick listens to at Gatsby's party: "terminating expression, dissevering the conduit that makes things really real" (Breitwieser, 370)
Works Cited
Barrett, Laura. "Material without Being Real: Photography and the End of Reality...
So he invented just the sort of Jay Gatsby that a seventeen-year-old boy would be likely to invent, and to this conception he was faithful to the end (Fitzgerald 104). Nick's description of Gatsby's facade reveals that in Gatsby's attempt to acquire the essence of the American dream, he had to sacrifice himself and create a new identity. As such, an aura of sadness and loneliness lingers about Gatsby's existence
Further, the modern novel also focuses on issues of social and historical change and the use of such points-of-view as stream of consciousness. Other typical characteristics of modernism are open form, free verse, discontinuous narrative, juxtaposition, classical allusions, unconventional metaphors and the bringing in of other cultures and languages. Clearly, the experiences of the Great War had a lasting effect on its generation of writers. Many of them served in
Hemingway, Fitzgerald and Cather share a bond when it comes to style and framing fiction with language. Words are not simply meant to describe a character or scene; they can help round the story through how they are arranged. Fitzgerald illustrates how language can blossom around particular aspects of characters and ideas. Hemingway and Cather demonstrate how short, concise sentences can enhance a scene by increasing tension. Style emerges as
" (Fitzgerald, 61) Also, the way in which Charles checks himself when he starts bragging about his business in front on Lincoln reveals the same weariness and desperation: "Really extremely well,' he declared...'There's a lot of business there that isn't moving at all, but we're doing even better than ever. In fact, damn well...My income last year was bigger than it was when I had money. You see, the Czechs
American Lit Definition of Modernism and Three Examples Indeed, creating a true and solid definition of modernism is exceptionally difficult, and even most of the more scholarly critical accounts of the so-called modernist movement tend to divide the category into more or less two different movements, being what is known as "high modernism," which reflected the erudition and scholarly experimentalism of Eliot, Joyce, and Pound, and the so-called "low modernism" of later
American Modernism and the Edenic Themes Langston Hughes and Jay Gatsby: Different Strokes for Different Folks in the Search for an Edenic World The search for Eden has always had an eternal quality since the development of primordial man. At times, this search has manifested itself as a quest for a promised land full of natural resources, while at others, it has taken the form of a journey seeking social acceptance and
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