Fall Though in Paradise Lost it may appear that "the Fall" is synonymous with the act of disobeying God, a closer reading shows a certain paradoxical duality to the act of falling -- namely, that what is called the Fall is a forced physical and psychic humiliation and prostration which God enacts on those who refuse to willingly prostrate themselves in worship to him. Two opposing categories of fallenness exist,

Although religious and secular authority have been in conflict practically since religion was first formalized into specific institutions and centers of power, the evolution of religious authority which occurred after 1500 set the stage for the conflicts of the contemporary world by distributing religious authority to the religious populace, rather than a small group of priests and leaders. By imbuing each individual member of any given religion (but mostly

Man as a Manifesto of Rationalism The English Restoration of 1660 delineates a dramatic transition in British literature from writing that is elegant, expressive, and often sentimental to prose and poetry that embraces simple, lucid, classical forms (Evans 203). Additionally, the years after the Restoration saw writers continuing to investigate new regions of the scientific, the philosophical, the political, and the moral. Antecedents of this trend include seventeenth century writers

What Victor is saying is that in order to create a living being from the dead, he must haunt the graveyards like a human ghoul and experiment on live animals to "animate" "lifeless clay," being the deceased remains of human beings. From this admission, it is abundantly obvious that Victor, like Prometheus, sees "clay" as the foundation for creation, a substance which is part of the earth itself and

Her list includes the following: culture / Nature reason / Nature male/female mind/body ( Nature) master/slave reason/matter (physicality) rationality/animality ( Nature) human / Nature (non-human) civilised/primitive ( Nature) production/reproduction ( Nature) self/other At first glance, this list seems to capture the basic groupings and gender associations that are at work in Mary Shelley's novel. The Creature exemplifies animality, primitiveness, and physicality, whereas Victor represents the forces of civilization, rational production, and culture. Victor is part of a happy family

Fenimore Cooper, Last of the Mohicans The theme of James Fenimore Cooper's The Last of the Mohicans would seem to be containted not only in the title of the novel, but also in its subtitle: A Narrative of 1757. The two halves of the book's title both point to a historical past, and the indication of tremendous changes that had occurred on the North American continent between the Colonial era of