Matisse and O'Keeffe: Modern Artists with Talent and Connections
What Paul Johnson calls fashion art in the 20th century grew out of the experimental and impressionistic work of the late 19th century. It may be said to have originated with Picasso and Braque and Cubism, which helped launch a number of techniques and movements, such as Abstractionism and Surrealism. Like Picasso and Braque, Henri Matisse had connections with the rich American art patron in Paris, Gertrude Stein. (She purchased Matisse's La Femme au chapeau (Woman with a Hat) and sat for Picasso) (Johnson 657). The American painter Georgia O'Keeffe was not connected to Stein, but she did study fashion art and transpose it (after a series of skyscraper works) onto the natural world. Matisse and O'Keeffe, though disconnected by the Atlantic, both found support from the art establishment (Matisse through Stein, O'Keeffe through her husband Alfred Stieglitz, "the owner of New York's most enterprising gallery in the 1920s" (Johnson 677). Matisse won success early with Fauvism and O'Keeffe with her blend of sexuality, modernism and naturalism, which was in turn a spin-off from the fashion art in vogue across the sea in Europe at the time. This paper will show how both Matisse and O'Keeffe came to represent two distinct styles united by the common thread of modernism -- the rise of the avant-garde propitiously connected to the bourgeois.
Tom Wolfe identifies the propitious connection of artists like Matisse and O'Keeffe as more than chance: he...
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