The wedding follows and Elisabeth steals the show with Sophie falling to the background. What happens later is a failed rendezvous with a prostitute and other failed attempts of Ludwig to behave like a heterosexual. His desires to be around Wagner vs. Sophie and the subsequent scene with the valet demonstrate more and more Ludwig increasing desire to seek the company of men. This leads then to a deteriorating condition in which a bandage is over his eyes. He is fooling around in a Bavarian inn implying he yet again gives in to his homosexual tendencies much like the SA revelry in the previous movie, The Damned. The film ends with the government planning to depose him much like what happened in reality and Professor von Gudden's last diagnosis of incurable paranoia. (Blunt 34)
In regards to theme and narrative structure, the film is what some say elliptical in narration. This means the sequences are not clearly defined nor are there any specific and significant points of narrative development. The film forms somewhat coherent sequences with actual scenes suggesting loosely connected scenes and an effort to keep the film from the trap of trivial psychologizing. The use of statements throughout the movie serve to tie the fact from the imagined together. It also puts the narrative into focus and it reminds "the audience of the political and social constraints that ultimately determine the king's fate. Thus the crucial theme of the film is actually built into its narrative structure." (Bacon 180).
As discussed in Italian Film, "the loss of capacity to discern the virtual from the real, which is connected to the pedagogical role of film. This pedagogy offers itself as an allegory...
Italian-Americans -- 1930s The American experience for Italian immigrants (with particular emphasis on the 1930s) is the salient topic for this paper. The materials presented from scholarly sources in this paper show the positive and negative impacts experienced by Italian-American immigrants; those sources will also be critiqued and analyzed in the context of the experiences, including impacts such as discrimination that Italian-Americans went through during the 1930s. Italians Arrive in the United
[footnoteRef:5] Although Cavour could not pursue Napoleon III to continue war with Austria due to Napoleon III facing pressure domestically and abroad, there were long-term gains made by him. Kingdom of Piedmont was recognized by many world powers. Pope's power along with hat of Austrians was significantly reduced after wars in 1950s and 60s. Nonetheless, it was due to the valor of Giuseppe Garibaldi that enabled the unification to be
The biggest reason for this was financial. Farming takes time to sow, grow and harvest, and there was simply not time for that; the Italian immigrant needed to make as much money as he could in the least time possible; farming simply would not work (2008). Farming also implied a certain amount of permanence, which was not the plan for many Italian immigrants (Mintz 2007). Land in America was also
Italian-Americans The standard history of the Italian-American experience, La Storia by Jerre Mangione and Ben Morreale, speaks of the "five hundred year" span of that experience. This is a somewhat whimsical reference to the Italian (specifically Genoese) explorer Christopher Columbus: although Columbus' 1492 voyage of discovery did indeed bring an Italian into North American waters, one can hardly call Columbus an "Italian-American." However the annual federal holiday of Columbus Day was initially
Even the better aspects of the Corleone family are shown in a light that makes them seem contrary to the personalities and wills of other, more "typical" Italian-Americans. That is, their positive qualities are shown in the film to be aberrations; departures from the Italian-American norm. Don Corleone's initial reluctance -- refusal, in fact -- to become involved in any way with the drug trade makes him appear noble, yet
People were traveling to lands like Jerusalem or Egypt, the Greek Islands and to cities like Barcelona, Lisbon or Bruges. Merchandise and aliens were bringing along traditions and civilizations different from their own. Another factor that influenced a cultural unity in Italy during the Renaissance was according to Welch the claim of being the inheritor of Rome every major Italian city had. The culture of the antiquity, Latin or Greek
Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.
Get Started Now