Listening & Analysis: Violin
Listening Introductory Concepts -- the Referential Listener
Clarinet Concerto in a major II. Adagio
Wolfgang Amadeus Mozart composed Clarinet Concerto in A major II for the clarinetist Anton Stadler. The musical work is classical and consists of three movements in the fast-slow-fast form or allegro-adagio-allegro. The work exhibits Mozart's delicate and purely instrumental approach. The interplay between the orchestra and the soloist is characterized by clarity, balance, and transparency. The soloist's role is introverted as there are no cadenzas in the piece. From a the perspective of a referential listener, the piece causes me to associate with mountain and valley vistas that I have encountered when hiking. It is precisely that moment when one deliberately slows one's pace as the scene comes into view. Memories of the view are associated with the aroma of the plants crushed under booted feet, the feel of the breeze that almost cools the brow, the counterpoint of a hawk's cry as it rides the updraft. In fact, this variation perceived by the listener is the musical concept that Mozart has employed.
Analysis Putting Things Together -- Principles of Unity and Variety
Sigman and Bonfa, Maha De Carnival
Maha De Carnival represents more than one musical idea. If the construct of musical idea represents the wholeness (unity) of the musical piece, and necessarily encompasses ideas about...
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