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Libertine In French Literature Essay

¶ … history libertinism, 18th century France. In concluding paragraphs, relate research formation, conflicts characters Dangerous Liaisons (Les Liaisons dangereuses), epistolary Choderlos de Laclos. The notion of the libertine:

The radical and reactionary implications of libertinism in Les Liaisons Dangereuses

The novel Dangerous Liaisons (Les Liaisons Dangereuses) has a daring storyline, even by contemporary standards. Over the course of a series of letters between the Marquise de Merteuil and the Vicomte de Valmont, a plot is orchestrated to bring shame and scandal upon the conventional and pure Madame de Tourvel and Cecile Volanges. Valmont in particular embodies the notion of the 19th century libertine, or a man who lives without regard to conventional morality: in effect, he is 'liberated' from the conventions of society and religious dogma.

The notion of a 'libertine' was first articulated in the writings of the 17th century theologian John Calvin, who defined libertines as all that good Christians should not be: later, the term was assumed as a point of pride by those who labeled themselves as such. "Libertinism is interpreted as moral licentiousness, religious disobedience, and political disorder…. those who abandon themselves to sexual licentiousness, thus threatening the social order" (Cavaille 16). However, with the influx of the Enlightenment and the rise of new ideas challenging the dominant religious order, the notion of the libertine became associated with questioning religion and morality in a more deep and philosophical manner. This is the notion of "epicurean libertinism, which shares the same putative immorality, but which is reproached not only with turning away from religion, but with producing philosophical criticism of it" (Cavaille 17).

It is this concept of epicurean libertinism, which also contains the notion of the...

In the novel, Valmont is specifically drawn to Madame de Tourvel because he wishes to corrupt her piousness. He is simultaneously fascinated by her religiosity and wishes to destroy it. "Madame de Tourvel represents the convention-bound religious 'prude,' destroyed by empty religiosity, blind adherence to social convention, and unacknowledged female sexuality" (Hollinger 293). The libertine Valmont knows her desires better than she knows herself.
Libertinism, as suggested in the novel, is associated with aristocrats (as they have the time and the financial means to pursue rampant sexual activities, versus the lower classes) and with French Enlightenment intellectuals such as Voltaire. Voltaire, while not specifically referenced in the novel, embodied a spirit of religious questioning and a celebration of hedonism. For Voltaire, the celebration of libertinism was vital to challenging the dominant political orders and the authority of the Catholic Church. "Voltaire became a leading force in the wider Enlightenment articulation of a morality grounded in the positive valuation of personal, and especially bodily, pleasure…He also advanced this cause by sustaining an unending attack upon the repressive and, to his mind, anti-human demands of traditional Christian asceticism, especially priestly celibacy, and the moral codes of sexual restraint and bodily self-abnegation that were still central to the traditional moral teachings of the day" (Shank 2.2). For Voltaire, unfettered sexuality was a kind of political statement and significantly the use of Cecile, fresh out of convent, as a pawn between the Marquise de Merteuil and the Vicomte de Valmont, highlights the weakness of someone who takes church dogma as gospel truth.

It has been…

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Works Cited

Cavaille, J. "Libertine and libertinism: Polemic uses of the terms in sixteenth- and seventeenth-century English and Scottish literature." Journal for Early Modern Cultural Studies, 12.2 (2012), 12-36,157.

Hollinger, K. "Losing the feminist drift: Adaptations of Les Liaisons Dangereuses."

Literature/Film Quarterly, 24.3 (1996), 293-300.

O'Connell, Lisa & Cryle, Peter. Libertine Enlightenment. Palgrave Macmillan 2003.
Edward N. Zalta (ed.) <http://plato.stanford.edu/archives/sum2010/entries/voltaire/>.
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