Anzaldua Gloria Anzaldua has a wild tongue, a tongue that roams free from the confines of both formal English and formal Spanish. Anzaldua's wild tongue, which she describes in Borderlands: La Frontera in the chapter "How to Tame a Wild Tongue," is Chicano Spanish, a "border tongue which developed naturally" by immigrants from Mexico living in the United States. As Anzaldua notes, "wild tongues can't be tamed, they can only be

Gloria Anzaldua captures the essence of the Aztlan homeland and its mestizo nature in "Wind tugging at my sleeve." Using diction conveying a strong sense of place and geography invokes the specific qualities of the land and climate necessary for anchoring the reader. The importance of geographic space is a core theme of the poem, as the speaker refers repeatedly to issues related to political borders and the artificial separation

Anzaldua Like our genes, our native tongues are both unique and passed down from generation to generation. Native tongues are integral and inescapable parts of our personal and collective identity, like skin color or gender. Therefore, language can be a stigma, an indicator or race, ethnicity, and culture. In the book Borderlands: La Frontera, Gloria Anzaldua explores expressions of Chicano culture in America through an analysis of the language she calls

Language defines identity, and creates boundaries between self and other. In Borderlands: The New Mestiza, Gloria Anzaldua refers to the "broken" and "forked" tongues that represented the boundaries and intersections of social, cultural, racial, ethnic, and gender identities. The roots of sociolinguistic hypotheses of language suggest that at the very least, language impacts the social construction of reality, as well as psychic self-perception. According to Noam Chomsky, language use is

Tame a Wild Tongue Language and Identity in Anzaldua How to Tame a Wild Tongue How to Tame a Wild Tongue is a fascinating internal expose of the evolution and development of language among immigrants of Spanish linguistic heritage. Gloria Anzaldua recognizes herself as a "blended" individual who speaks and contributes to a myriad of native and blended languages that are all varied and regionally expressive of both native Mexican and

As Baldwin indicates in "If Black Language Isn't a Language, Then Tell Me What is?" "It goes without saying, then, that language is also a political instrument, means, and proof of power. It is the most vivid and crucial key to identify: It reveals the private identity, and connects one with, or divorces one from, the larger, public, or communal identity." This concept can be readily demonstrated in Anzaldua's