The Condors talk to each other, fearing extinction, introducing naturalism. In 1985 the last 22 Condors are plucked from their tortured habitat and taken to the San Diego Zoo and other venues for captive breeding.
Fast forward to 2012. An Aristotelian plot structure with mind-bending irony -- first utilizing the reversal of fortune followed by society's recognition (anagnorisis -- a sudden discovery) that takes people from ignorance to knowledge -- could be a model useful for an enterprising screenwriter delving into the Condor's fate. The reversal of fortune is the demise of the Condor due to human interventions, intended and unintended. That many informed humans have gone from ignorance to knowledge completes the second part of Aristotle's plot formula.
As to the irony in proposed Aristotelian plot, take Oedipus Rex, for example. In the masterpiece by Sophocles, Oedipus launches an investigation into who murdered his father, and learns to his chagrin and shock that he alone murdered his father. A screenwriter in 2012 that is blending real-world reality with fictional / naturalism narrative would be to have the father of a little boy (who is fascinated with these enormous birds with the longest wingspan of any bird in North America) investigate -- at the urging of his son -- the reasons some recently released California Condors are seriously ill and dying.
It turns out the father is a member of the National Rifle Association (NRA), a group that refuses to accept the empirical...
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