Walking on Water: Film Interpretation
The protagonist Eyal of the film Walking on Water (2004) is a member of Israel's secret service organization, the Mossad. This is communicated in the first scene of the film, which depicts an apparently ordinary family in a boat. Suddenly, Eyal kills the father of the family with a lethal injection. The audience is immediately predisposed not to like Eyal, until they discover that he is actually fighting for the forces of 'good.' Or, at least the forces deemed to be 'good' in Israeli society, given the profound ambiguity with which Eyal regards his role.
In the next scene, the viewer learns that Eyal is considering leaving the secret service. This is revealed when he is seen getting his next assignment: to kill an aged Nazi war criminal who is still on the loose. Eyal knows that many of his ancestors died in the Holocaust. However, he is uncomfortable with the idea of enforcing justice in such a manner, even when he learns that the Nazi's grandchildren are in Israel. However, after Eyal learns that his wife has committed suicide, he throws himself into his mission as a way of dealing with his personal demons. By juxtaposing the suicide with the new assignment to track the Nazi, director Eytan Fox suggests that there is a suicidal aspect to Eyal's enforced mission of revenge. It also suggests that motivations to dredge up the past are never pure, even when in pursuit of representatives of pure evil. But Meacham, Eyal's boss, stresses to the conflicted agent his responsibility on behalf of all Jews...
cinematic image of the Sabra beginning with the early Zionist films, through the national-heroic mode, and ending with the critical attitude of the late 1970s and 1980s The 1955 film Hill 24 Doesn't Answer is one of the first products of Israeli cinema. It is meant to be a stirring portrait of the new Jewish state. It dramatizes the then-recent war of independence. The film shows the war bringing together
' Indians across the political spectrum, especially the country's powerful nuclear weapons establishment, are critical of the NPT, arguing that it unfairly warps international hierarchies to the disadvantage of the non-nuclear-weapon states" (1998:15). In its efforts to balance the pressures from the international community with its own self-interests in formulating foreign policies, the position adopted by India has been starkly different than other countries. In this regard, Karp concludes that,
Holocaust affected Israeli society and culture and how Jews memorialize/Remember it today There exists no doubt regarding the massacre of the Jews during the phase of World War II and its impact on the lives of the Jewish people and the people who were near and dear to them. A dissention is required against those who assert that the tragedy never occurred, irrespective of whether they hold an opposite perspective
Cold War and Film Generally speaking, the Cold War has been depicted as an era of spy games and paranoia in popular films from the 1960s to the present day, but the reality of the era was much more complex. The Cold War was a period of military and political tension from 1947 to 1991, or from the end of WW2 to the collapse of the Soviet Union, in which
Waltz With Bashir (Vals Im Bashir) is a 2008 Israeli animated autobiographical docudrama by Ari Folman that is based on his experiences as a soldier during the First Lebanon War in 1982. The film is directed, written, and produced by Ari Folman, who also stars in the film as himself (Folman, 2008; IMDB, n.d.). With a budget of approximately $1.5 million, the film has grossed approximately $2.1 million (Rotten Tomatoes,
What is certain from all three films is that technology essentially shapes the way in which modern stories are told. Abstraction and Cinematic Modernism Cinematic modernism, as defined by a certain purposeful ambiguity and a rather high level of abstraction, has become a prominent feature of many films made in the past several decades. Rather than making meaning less apparent in films through the lack of concrete and certain interpretations of
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