Islamic Art The two objects that I found on the website required to write this article are entitled Folio from the Tashkent Qu'ran" and "The Feast of Sada," Folio from the Shanama (Book of Kings) of Shah Tahmasp. There are a number of reasons as to why the former of these objects is perceived as part of Islamic art. The most salient of these relates to the title. This work of

This is the biggest palace in Istanbul. (Retrieved from http://www.greatistanbul.com/topkapi_palace.htm) Alhambra Palace - The Alhambra Palace is so named for the Arabic "red castle," due to the surrounding environment. It was created in 1238. (Retrieved from http://www.andalucia.com/cities/granada/alhamhistory.htm) Masjid-i Shah - Also known as the Mosque of the 72 Martyrs, located in Mashad, Iran. It was built in 1451. (Retrieved from http://archnet.org/library/sites/one-site.jsp?site_id=10332) Chehel Sutun - The Chele Sutun (Forty Columns) located in Qazvin,

The emphasis on handicrafts also means that Islamic art does not have a focus on the output of individual artists like Western art. Prophetic sayings like "God likes that when you do anything, you do it excellently," have "provided the impetus for Muslims' embellishment and beautification of their places of worship, homes, and even of articles in common use in everyday life. The emphasis in Islamic art is on

The result is that the minarets which are more probably rooted in the experiences, technologies and impulses of the now extinct Byzantines are part of the religious iconography of both ancient and modern Islamic culture. That said, the eventuality by which the Byzantine identity was erased from formal existence would have a significant bearing on the emergence of a yet more self-aware Islamic architectural philosophy. Garber indicates that we may

And aside from the lessons as well, the art behind the calligraphy strived to portray the symbolism in the holy book. The writings were created using various shapes and sizes of the letters and numbers and they led to the formation of pieces of art that combined the teachings of the deity with the comprehension capacity of the humans (Osborn, 2008). The Arabic calligraphy as such played a dual role

The flying carpet myths also contribute to the mystique and specialness that these relics represent. The time period of 622-1800 has seen much development of this art form. A rug or carpet that predates this era is very rare and almost impossible to find. This signifies the importance and longevity of this multi-dimensional tradition. Most art forms come and go, but when such efforts are combined with practical everyday