Art of classical antiquity, in the ancient cultures of Greece and Rome, has been much revered, admired, and imitated. In fact, the arts of ancient Greece and Rome can be considered the first self-conscious and cohesive art movements in Europe. Style, form, execution, and media were standardized and honed to the point where aesthetic ideals were created and sustained over time. The art of classical antiquity in Greece and Rome

Art La Berceuse (Woman Rocking Cradle) (Augustine-Alix Pellicot Roulin, 1851-1930), 1889. Vincent van Gogh Dutch, 1853-1890). Oil on canvas. The Walter H. And Leonore Annenberg Collection, Partial Gift of Walter H. And Leonore Annenberg, 1996 The world of art is diverse and rich coming together for appreciation overcoming all cultural barriers. The story of Van Gogh and his astounding genius while creating canvases has captivated the interest and attention of millions around the world. Even when people

Art Please take a close look at two paintings of storms: Watteau's the Storm painting comparison Watteau's the Storm and Delacroix's the Sea of Galilee The two paintings in question refer to different time periods in art history and more importantly, to different views about art and life. These views are also reflected in the style and the technique of the two paintings. Art is often a reflection of the times in which it

Whereas Plato believes that art is by definition imitation of life, Cezanne believed that the role of art was not to imitate or copy life but to enhance it, contribute to it, and comment on it. Cezanne said that art was a "harmony running parallel to nature," not a method of imitating nature (Art Institute of Chicago). Cezanne assumed a deconstructionist approach to art, which would eventually inspire the all-out

Vincent Van Gogh, Frank Lloyd Wright and Madeleine Vionnet. What did this 19th century artist, architect, and fashion designer share in common? Very simply: They all incorporated Japanese techniques into their works of genius. When Commodore Perry opened the doors to this Eastern country in 1853, an abundance of unique and influential styles of art rushed out and captured the imaginations of artists throughout the Western world. As author Emile

Impressionism and Surrealism Impressionism Impressionism was a 19th-century art movement that originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s (Rewald, 1973, p. 6). The name of the style itself is derived from the title of a Clajude Monet work, Impression, soleil levant (Impression, Sunrise), which provoked the critic Louis Leroy to coin the term in a review in a Parisian newspaper