¶ … Humanism, Absolutism, Power and Style
Read the following excerpt from an article, then discuss the three questions below the excerpt. Then respond to 3 members below. Post comments on what they have to say.
In an article in Psychology Today published on September 01, 2008, Hara Estroff Marano writes:
It's tempting to think that style is a new invention, open to us only now because we particularly value self-expression, and an extraordinary range of possibilities for doing so is available to us. But Joan DeJean, a professor of French language and culture at the University of Pennsylvania, contends that style has its well-shod feet firmly planted in the seventeenth century; it was the deliberate creation of Louis XIV of France, the Sun King. He was, she says in The Essence of Style, history's greatest exemplar of it.
DeJean sums up the style that Louis created in a word -- sparkle. Louis bedecked himself in diamonds for their sheer dazzling impact, his vision of power and prosperity reflecting on the state itself. He greeted visiting royalty and other heads of state in a black velvet suit encrusted with virtually every diamond in the possession of the crown.
Louis didn't just impose his grand sense of self on his clothes and his court. He transformed Versailles...
Classical Symphony Music, like other forms of art, evolved from numerous traditions that, when taken together, formed a new way of thinking about, and performing, certain types of works. Audiences change over time, and certain musical compositions that sound odd or strange to one audience are often accepted by others (e.g. The rioting during the premier of Stravinsky's Rite of Spring). When people think of classical music, for instance, they tend
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