Napoleon refuses Snowball's plan to build a windmill and thereby make life more comfortable for all animals, on the grounds that it will take too much time to build the windmill, but his motivation may not be that innocent. When Snowball tries to get the animals to vote on the windmill, Napoleon has Snowball chased off of the farm (and perhaps killed) by a pack of vicious dogs. Napoleon

Animal Farm starts with Mr. Jones, the owner of Manor Farm, drunkenly heading to bed. The animals gather for a meeting to hear Old Major, the prize boar, who tells them about how the humans exploit the farm animals and how they can get rid of their oppressors through a rebellion. Major tells the animals that "all animals are equal" and the humans are their enemy. Old Major dies soon and

So, the reader of this essay was set up by Orwell perfectly: blast away at the stinking rotting, drunken social scene in Paris, frequented in large part by Americans pretending to have talent, and mention that Miller thought this was cool to write about. Then bring in the terrible, frightening and bloody realities happening elsewhere in Europe, and you have shown what a rascal Miller was. But wait, Orwell admits

But that's where we are now. 'We have to look at this operation very carefully and maybe it shouldn't be allowed to go ahead at all'" (Nat Hentoff, p.A19). Today we find our system of government to claim that they are the only people who know the difference between right and wrong and thus while the entire world should disarm themselves of nuclear warheads, we should keep them. Our government

Orwellian World The Accuracy of George Orwell's Predictions and What They Hold for Our Future When, in 1949, George Orwell published Nineteen Eighty-Four, the world had just witnessed one of the most trying and tumultuous periods in all of human history. In the space of only thirty-five years, there had been two world wars, a communist revolution, a host of fascist dictators, and a frenzy of slaughter such as had never

4. Alexandre Gabriel Decamps Figure 8. Alexandre Gabriel Decamps' "The Monkey Painter," 1833. (Source: http://dalihouse.blogsome.com/2007/04/26/beasts-get-the-babes Figure 9. ( Source: http://www.artandpopularculture.com/Image:The_Experts%2C_1837_by_Alexandre-Gabriel_Decamps.jpg) Alexandre-Gabriel Decamps was an artist who often used animals portrayed as human beings to satirize society and especially the formal artistic community of the time. He was opposed to falsity and pretentions and the often biased views of the academic art coterie of the time was a subject of some of his works. This can be