Esperanza transforms into a girl who wants nothing else but to leave the house on Mango Street and all the neighbors behind into a woman with a real sense of responsibility to the people in her neighborhood. She goes from thinking only of herself to really considering the lives of those in her community. This sense of responsibility and her set of values show that Esperanza has transcended even herself.
Esperanza's most important transformation is, arguably, her transformation into a real writer. In the beginning of the story, Esperanza can only imagine stories in which she is one of the characters; however, by the end of the story, Esperanza is able to imagine stories that don't involve her -- and this denotes that she is becoming a real writer and a true artist. It is ironic that through her writing she is able to detach herself from her neighborhood while, at the same time, she has grown to love the people in her community. This...
House Mango Street Sandra Cisnero"(book) the question paper: Is book represe It would be exceedingly difficult to represent all of Latino culture in any book, regardless of how talented the author is. Nonetheless, Sandra Cisneros is that rare breed of author for whom, particularly as it relates to her unique blend of poetry and prose, virtually nothing is impossible. She has been hailed as "a major literary talent" (Cruz, 2010,
She feels she doesn't really belong to that house because that is not the house of her dreams. That is what prompts her to start writing. Her creative pursuits help her stay sane so she doesn't feel so trapped by the "ghost" of the sad red house. "I put it down on paper and then the ghost does not ache so much. I write it down and Mango says
" Thus, although she is not aware as such of her position in society, she realizes however that the house they moved to does not correspond to what her family had been dreaming about. The small and crammed house offers almost as little space as the other places they lived in. When describing the small house, the author introduces the single metaphor in the speech of the child narrator, saying that
The frequency of window imagery in the novel highlights both the importance of expectancy ("Esperanza) and houses. Esperanza's namesake was said to always be looking out of a window, after she was 'carried off' by a man, symbolizing Esperanza's fears of maturity. Esperanza is ashamed when people point to her house through windows, like the nun at her school points at the house from a window to indicate why
House on Mango Street by Sandra Cisneros [...] theme of search for self-definition. The protagonist of this novel, Esperanza, narrates a series of "chapters" concerning her life, her world, and the barrio as she sees it happening around her. Throughout the book, as Esperanza watches the world, she struggles to discover just who she is, and where she fits in the world around her. This self-definition is a compelling
El Epilogo Yo se siempre seria Esperanza y yo se siempre seria de Mango Street. Pero hay mas. Yo he aprendedo mucho en estos anos. Yo he aprendedo de amor. Amor verdadero, y no el amor egoista. Yo recuerdo todo. No quiero olvidar. Yo quiero recorder los nombres, las caras, las amigas, mi gente. Yo quiero recorder el dolor, si, tambien el dolor. Porque el dolor puede seria nuestro maestro. Quiero dar a mis hijos la
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