(Kleiner, 2010, pg. 360)
While Giotto's Christ Entering Jerusalem, is a depiction of Christ entering the Jerusalem. In this situation, he is trying to instill a sense of history and righteousness by showing Christ entering one of the holiest cities in Christianity. At the same time, he is embracing the same kind of basic painting style that was most commonly used during the time. This is important, because it shows how Giotto is taking more a historical approach about various events that are occurring. ("Christ Entering Jerusalem," 2009)
When you compare the two works side by side, it is clear that the 13th century Bible is telling a story about how everyone should be acting within society, by highlighting how the King is viewed in same light as other religious symbols. While Christ Entering Jerusalem is showing a historical approach, based upon past events (giving everyone a sense of respect and history for what took place).
The High Renaissance is a period of grandiose projects reflecting an era of stunning confidence in individual reason and capability. What projects exemplify this confidence? Describe them and the circumstances surrounding their production.
The projects that would best exemplify this new confidence are: Michael Angelo's work on David and the Last Supper (by Leonardo Di Vinci). David is considered to be a masterpiece because it is a life size interpretation of the hero from the Bible. The circumstances surrounding the production of statue are that many artists had tried to turn the marble into a work of art and failed. It was Michael Angelo who was able to turn this into a masterpiece. ("Michael Angelo's David," 2009) the Last Supper exemplifies this confidence by showing new interpretations of Christ's last...
To illustrate these different views, he creates Starry Night over the Rhone. This shows the sense of anticipation that is occurring before the evening begins. As he is depicting, a quit outdoor cafe that is waiting for: the customers to begin arriving and the festivities to commence. To illustrate this sense of anticipation he uses different colors and lighter brush strokes. As there is: yellow, black, blue, tan and
The rococo was aimed towards the French court and nobles. The main message was not a religious one, but aimed the upper classes and focused on their lives, houses and celebrations. In France this style gave way to the austere neoclassic style at the end of the xviii century and disappeared with the French revolution in 1978, suddenly and completely. Neoclassicism appeared as a return to the classical ideology in
history western civilization a book called THE MAKING OF THE WEST. Joan of Arc Prior to becoming made into a saint in the early part of the 20th century, Joan of Arc was one of the primary causes of France's many victories in the Hundred Years War. The woman, who only lived to be 19 before she was eventually burned to death after being captured by the British, helped liberate many
Art Culture: Public Space Art Public art like that of Koon's Train (2011), Serra's Tilted Arc (1981), Lin's Vietnam Veterans Memorial (1981), and James' Sea Flower (1978), ignite discussion to the point of its modification, re-arrangement, or removal. The reason for this controversial treatment of public art is its ability to embrace a variety of aesthetic practices. The adoption of different aesthetic values like poster art, outdoor sculpture, earthworks, multimedia projections,
Art During Renaissance The Evolution of Art During the Renaissance The Renaissance period is defined as a cultural movement that spanned approximately from the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe (Brotton 2006, p. 6). This period in the history of art included the painting, decorative arts and sculpture of the period and for many was considered a
French Romantic painter, Eugene Delacroix, is well-known from this period. Delacroix often took his subjects from literature but added much more by using color to create an effect of pure energy and emotion that he compared to music. He also showed that paintings can be done about present-day historical events, not just those in the past (Wood, 217). He was at home with styles such as pen, watercolor, pastel, and
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