The second stage was of the Ionic order and with windows, rising to the level of the first apartments of the papal palace and of those of the Belvedere; to form subsequently a loggia more than four hundred paces on the side towards Rome and another towards the wood, with the valley between, so that it was necessary to bring all the water of the Belvedere and to erect a beautiful fountain" (Vasari, 2006, Donato Bramante).
The work combined elements of a variety of sacred and secular Roman architecture in its inspiration and design. Its "axiality recalled the ancient temple complex at Palestrina, the symbolism of the Cortile del Belvedere (1507-7) combined overtones of Roman villa and theatre" (Donato Bramante, 2011, Encyclopedia of Art). Unlike the anonymous artists of the Gothic era, Bramante proudly created a frieze on the front of the Belvedere which bore the name of his patron the Pope and also his own, celebrating his achievement. The antique gallery in the Belvedere contained statues of Greek antiquity (Vasari, 2006, Donato Bramante). This willingness to proudly take credit for his labor and to include images that celebrated the beauty of the human form, including works that predated Christianity, embodied a spirit of intellectual tolerance that could not have existed previously.
What was supposed to be Bramante's greatest work, the complete rebuilding of St. Peter's basilica, was never fully realized, but of the designs that remain it was clear that Bramante envisioned a far more Roman-like conception of St. Peter's than what was eventually constructed: "Bramante's vision for St. Peter's, a centralized Greek cross plan that symbolized sublime perfection for him and his generation & #8230;was fundamentally altered by the extension of the nave after his death in 1514. Bramante's plan envisaged four great chapels filling the corner spaces between the equal transepts, each one capped with a smaller dome surrounding the great dome over the crossing" (Donato Bramante, 2011, All About). Bramante's was succeeded by a number of architects, finally cumulating in his successor Michelangelo: "Michelangelo returned to the fundamental ideas of the brilliant creator,...
Bramante Architecture A fact of history is that Renaissance marked a new emerging base towards the already established architecture of antiquity that was rooted in thorough recovery of the past and new inventiveness, but it was because of this that the great cities of Europe gathered much of their form that is admired by the world today. The word renaissance has entered the minds of people with dominant positive connotations of
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Shortly after taking charge of the project, Michelangelo viewed Sangallo's wooden model of the planned basilica. He was accompanied by Sangallo's followers who, according to Vasari, Putting the best face on the matter, came forward and said how glad they were that the work had been given to him and that the model was a meadow that would always afford inexhaustible pasture, to which Michelangelo replied that they spoke truly, meaning,
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