"This veil is a type and a symbol, and I am bound to wear it ever, both in light and darkness, in solitude and before the gaze of multitudes" (par. 31).
The veil also gives the Minister a priestly aspect that transforms him into a "better clergyman" -- just as the priests of Christendom wore their own especial garb -- which differentiated them from the laity whom they served. Indeed, he becomes known as Father Hooper in the Puritan village -- a title that would have been given to a Catholic priest in medieval times: the black veil becomes a symbol of death to the world. It is a symbol of life transcendent: of spiritual growth. The spirit of transcendence in Hawthorne's stories is best stated by Father Hooper thus:
"Why do you tremble at me alone?" cried he, turning his veiled face round the circle of pale spectators. "Tremble also at each other! Have men avoided me, and women shown no pity, and children screamed and fled, only for my black veil? What, but the mystery which it obscurely typifies, has made this piece of crape so awful? When the friend shows his inmost heart to his friend; the lover to his best beloved; when man does not vainly shrink from the eye of his Creator, loathsomely treasuring up the secret of his sin; then deem me a monster, for the symbol beneath which I have lived, and die! I look around me, and, lo! On every visage a Black Veil!" (par. 3rd to last).
The veil is described...
Birthmark Hawthorne's "The Birthmark" Nathaniel Hawthorne's "The Birthmark" is an ironic story in which man's faith in science as the ultimate savior of humankind is demonstrated to be misplaced. Ever since science has come to the forefront of human knowledge, people have continually increased their faith and thus their dependency on it. In a way, science has become a new form of religion, one in which people place their faith to solve
Georgiana is beautiful and doesn't even think about the birthmark until her husband points to it and then goes into a deep state of misery because of that. In order to relief her husband of the misery, she agrees to drink the potion which leads to her death. Emily on the other hand is not so obliging. Though she has suffered enough at the hands of her father who wanted
To Aylmer, the birthmark represents more than an annoyance. He "possessed this degree of faith in man's ultimate control over Nature" and viewed the mark as an opportunity to demonstrate his dominion over Nature. Instead of appreciating Georgiana, Aylmer sought to transform her, to change an essential part of her being. As the narrator states, the mark was "deeply interwoven, as it were, with the texture and substance of her
Birthmark In his book, The Birthmark, Nathaniel Hawthorne explores the conflict of science and nature that exists deep in the human psyche. Hawthorne's seemingly simple story of Aylmer, Georgiana and Aminadab reveals much about Hawthorne's attitudes toward science and progress. In the telling of their story, he creates an effective allegory about the role of science in the modern world. Ultimately, Hawthorne's story warns the reader of placing science on
HAWTHORNE'S BIRTHMARK AND YOUNG GOODMAN BROWN Hawthorne was born 1804 and brought up in Salem, Massachusetts to a Puritan family. When Hawthorne was four, his father died. After this incident he was mostly in the female company of his two sisters, an aunt and his retiring mother who was not close to her offspring. Hawthorne was known as a reserved personality but during four years at college he established close friendships
small, crimson birthmark on Georgiana's cheek represents humanity and its inherent flaws. It defines Georgiana as an individual, as a human. Aylmer saw the birthmark as a symbol of Georgiana's earthly mortality, and as "a symbol of his wife's liability to sin, sorrow, decay, and death." Georgiana is seen as a perfect specimen of beauty, except for the birthmark. Without the birthmark Georgiana would be perfect at a divine
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