¶ … Hamlet act3 sene3 Machiavelli chapter 7-15-25-26 Lens Machiavelli concept Hamlet Intro - text author, content, method Paragraph1- Machiavelli concept explain applied hamlet compare Hamlet act3 sene3 Machiavelli chapter 7-15-25-26 work enables misunderstand play's ending significant relevant divergence hamlet Machiavelli Second essay compare Hamlet act 4.
First essay
Unlike Prince Hamlet, who is a man who is concerned with the morality of kingship as well as is an aggrieved son avenging his father, King Claudius of Shakespeare's Hamlet is primarily concerned with holding onto his power. Claudius does have some moral qualms about his actions, but not enough to repent. This is seen when Claudius tries to pray for forgiveness but is unable to do so: "O, my offence is rank it smells to heaven" (3.3). However, the political theorist Niccolo Machiavelli would diagnose Claudius' problem as being insufficiently ruthless up to this point in his dealings with his nephew. Claudius is a leader whose star had a rapid and unexpected ascent when he killed his brother and married his brother's widow. This is why Claudius must hold onto the reigns of power with a tight fist. "States that rise unexpectedly, then, like all other things in nature which are born and grow rapidly, cannot have their foundations and relations with other states" (Machiavelli 7).
According to Machiavelli, when a leader does not have clear allies, he must seek others out and build a new foundation, not rely upon existing structures of power. To some extent, Claudius does so in his alliance with Polonius, who seems willing to advance the king's needs (even allowing his daughter Ophelia to be used as a decoy in Claudius' attempt to find out the root of Hamlet's madness). Machiavelli counsels: "Therefore, he who considers it necessary to secure himself in his new principality, to win friends, to overcome either by force or fraud, to make himself beloved and feared by the people, to be followed and revered by the soldiers, to exterminate those who have power or reason to hurt him, to change the old order of things for new, to be severe and gracious, magnanimous and liberal, to destroy a disloyal soldiery and to create new, to maintain friendship with kings and princes in such a way that they must help him with zeal and offend with caution, cannot find a more lively example than the actions of this man" (Machiavelli 7). At the beginning of the play, Claudius acts decisively in his dealings with Fortinbras, who is then the main challenger to his kingdom. Claudius works hard to create a rapport with the people, holding many drinking banquets that Hamlet despises but which other members of the court love. Other than in the estimation of Hamlet, Claudius' marriage to Gertrude does not seem unpopular. Only Hamlet despises Claudius and is obsessed with the evil he sees in the marriage of his mother to his uncle. Machiavelli would likely have advised Claudius to do away with Hamlet as quickly and discretely as possible, even before Hamlet was able to stage the dumb-show. Granted, this might present itself as a public relations problem, given that later in the play Claudius acknowledges that Hamlet is much-beloved by the people, to say nothing of Gertrude's displeasure if her son was executed, banished, or cruelly treated. If you have injured someone or he fears you, beware, Machiavelli advised, and surround yourself with friends (Machiavelli 7). However, Claudius' most trusted advisor Polonius is killed by Hamlet, substantially reducing the circle of Claudius' close circle of friends.
In light of Claudius' position after the prayer scene, Machiavelli might very well have advised Claudius to act as he did. Eventually, the king decides to kill Hamlet in an underhanded fashion, first by sending him to England with orders for his execution along with Rosencrantz and Guildenstern. When this plot is thwarted, Claudius next resorts to the staged duel...
Heaven and earth! Must I remember? Why, she would hang on him as if increase of appetite had grown by what it fed on: and yet, within a month, -- Let me not think on't, -- Frailty, thy name is woman! -- a little month; or ere those shoes were old With which she followed my poor father's body Like Niobe, all tears; -- why she, even she, --
.. O, woe is me, t' have seen what I have seen, see what I see!" (3.1. 116-164). The connotation is that her heart is breaking. This scene combined with her original startled outcry to Polonius in Act I further illustrates that Ophelia was in love with Hamlet, and that she did not meet him with ill intent despite the ulterior motives of everyone else. This further builds upon previous evidence
To act in a murderous, vengeful way that is contrary to his true nature, and to assume madness creates madness. At first, Hamlet suggests that vengefulness in a corrupt court is a kind of sanity, when he vows to put on an antic disposition, but he acts in a way that is more and more contrary to his moral nature as the play goes on, rebuking his mother against
He questions whether he should try to clear the court of corruption or just give up and end his life now. It is this emotional doubt that drives Hamlet to act deranged at times, but he overcomes it, and almost manages to answer the difficult questions posed in his life. In Act V, when calm returns, Hamlet repents his behavior (V, ii, 75-78) (Lidz, 164). In Lidz's book Freud is
Throughout the play Shakespeare presents Ophelia as the symbol of innocence who is destroyed by the evil and harshness of the world; which has its origins in the murder of the King. We experience her slide towards insanity in terms of the terrible predicament of her situation. It is also tragically ironic that the real cause or her madness is the murder of Hamlet's father, which has also driven Hamlet
After Hamlet has killed Polonius and Laertes has returned from Paris demanding satisfaction, Hamlet justly observes "by the image of my cause, I see the portraiture of his." It is the contrasts between these three characters which give significance to the parallelisms. The intelligent, sensitive Hamlet and the hot-headed Machiavellian Laertes perish on the same poisoned foil, leaving the kingdom to the cool-headed Norwegian, who has been a shrewder contriver
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