Yet, it has also served as tutorial for criminals, where they will often distort fiction with reality. As a result, this highlights how the overall formats of the crime drama has continued to evolve, while reflecting the various interests and tastes of society at large.
The above information underscores, how the crime drama has continued to change as time went by. Where, it embraces the basic format of showing the inner workings of an investigation and the judicial process. However, over the years the layout of these kinds of genres has continued to evolve. Recently, the common themes have changed, where the victims are shown to be taking personal responsibility for being victimized. At the same time, these people are often depicted as females, who are attacked by complete strangers. This is important, because it shows how the underlying characters have changed, with the victim no longer being from an upper middle class family. Instead, they are now more than likely to be women, who are accepting responsibility for what happened. That being said, the format deviates slightly from the real world, as most crimes occur to a variety of people by people they know. Then, many different shows will often use technology and the ripped from the headlines format, to create that realistic feeling. This is important, because the reality-based layout, is attempting to address changes in the interests of the public, which have a fascination with anything that appears to be realistic. As a result, this highlights how the overall formats of the crime drama will embrace the same basic layout, while adapting to the changes that are taking place in society and the world around us.
Analysis of the Findings
When you analyze the different findings, it is clear that the basic format of the television drama has continued to remain the same. Yet, they have also evolved with the various changes that are taking place in society. Where, the format would follow: the standard, realistic behind the scenes, inner workings of a criminal investigation. This layout has continued because it highlights the basic foundation of these shows, as they will often focus on key aspects of criminal investigations (such as CSI focusing on forensics and Without a Trace focusing on tactics / technology). At the same time, these shows will often incorporate the elements of teamwork and the interactions between the different personalities. This is different from the format that was used on shows such as Dragnet, where there was an emphasis of the actual investigation and the personalities working together. However as time changed, the introduction of: various teams, technology and science; are designed to give these shows that real world feeling. In many ways one could argue that this is from, the voyeuristic point-of-view that many people have, with what happens in daily life. Where, a variety of people would have to stop / slow down and watch the events unfolding. In this aspect, it would not be difficult to draw a direct parallel between this format and the views of society in general. With most people interested, in television shows that are entertaining and have that touch of reality. This is significant, because it highlights how the overall formats of the shows, have changed over the years and the changes are reflections upon, the interests of society. At the same time, the information helps to answer some of the different questions of the study. This is accomplished by showing how viewer demographics have changed, where broadcasters are more concerned about reaching out to a larger audience. The ripped from the headlines format and the use of various technology, shows how these techniques are designed to provide certain aspects of realism to the program, while addressing the needs of society. When you put all of these different elements together, they are highlighting how most shows are maintaining their standard format, yet they are also changing to reflect the tastes of the viewing...
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Miller's Crossing gives the best example of the "ethics" of the crime film genre -- beginning as it does with the classic speech delivered by Giovanni Gasparo: "I'm talkin' about friendship -- I'm talkin' about character -- I'm talkin' about -- hell, Leo, I ain't embarrassed to use the word: I'm talkin' about ethics…" The film, of course, is full of characters whose actions are shady and unethical -- but
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