Gender As I walked down the pedestrianized shopping mall, I immediately took note of the configurations of people on the sidewalk. There were many groups of females together -- either in twos, or groups of four or more. There were also some lone females, too, of course. There were many couples, and also a few groups of male friends. When looking at these different configurations of people and individuals, the way they "do" gender became almost immediately apparent. The most obvious and glaring sign of "gendered" identity is clothing. Women on this shopping street tended to dress quite nicely. Many were wearing high heels, and those who were in flats were in stylish ones as opposed to sneakers. Some of the men were dressed nicely too, but many were wearing sloppy clothing such as old T-shirts, shorts, and flip-flops. In addition to the differences in what men and women were wearing, there were noticeable differences in the ways they walked and carried themselves. The differences between the genders...
For example, when women were alone or with other women, they tended to have straight backs and good postures. Their gestures tended to be overtly "feminine," in the sense that they used hand gestures a lot, and wide-eyed facial expressions when speaking with their friends. I could not help but notice that the women who were coupled with a man carried themselves differently. Many were contend just to hold hands with their male companion, and walked slower and less confidently than the women who were alone or with girlfriends.
Padua also gave some important academies in mannerism and a notable one among them is Accademia degli Eterei, with Guarini and Tasso among its members. Some of the reasons that made painters explore unusual, new methods in their art also inspired those using the written word in their art. "In poetry, ideals of elegance, grace, and ornamental eloquence contribute to the evolution of petrarchism and concettism." The artists developed their
Workers in Florence were experts when it came to transforming wool into cloth of an excellent quality; they wee well acquainted with the ways to do the same. The process was a quite complicated one which involved dying of wool, cleaning the wool and a host of other processes. The Palazzo Vecchio, constructed in 1299, was the home of the Florentine guilds. Then, as well as today, it functioned as
Italian Renaissance Art Mannerism Mannerism is a period of European art that arose from the later years of the Italian High Renaissance around 1520. It went on until around 1580 in Italy, when a more Baroque style developed to take its place, but Northern Mannerism lasted into the first part of the 17th century, all through much of Europe. Stylistically, Mannerism includes an assortment of methods swayed by, and responding to, the
The sheer length of time designated to each suggests a great deal about the excess of resources, man-power and conceit which were reserved for the cite of worship, historical documentation, deference to the shared authority of the Crown and Church and, in the case of St. Denis, the interment of France's Kings. And embodied in this long process would be the incorporation of a host of aesthetic, spiritual and
cultural movements of European art after the Renaissance, namely those style periods of Mannerism, Baroque, and Rococo. In the late sixteenth century, Mannerism was a unique artistic technique that made use of distortions of scale and viewpoint. The Baroque movement in art and architecture enhanced Europe between the early seventeenth and middle eighteenth centuries as it emphasized dramatic and at times tense affects. The Baroque artists and sculptures consistently
Art History - High Renaissance The contextual knowledge of the era of High Renaissance and Mannerism is important as its integral to any study of work emerging from the period. The Renaissance movement took place in Europe from the early 14th to late 16th century, which witnessed a revival of interest in the values and artistic styles of classical antiquity especially in Italy. Early in the movement, the concept of Renaissance
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