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Gangsta Rap/Violence Toward Women Gangsta Term Paper

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In album after album, women are referred to as *****es, hoes, gold diggers, and chickenheads, and this representation of women as sexual objects for men's use is a common trope within this genre (Crossley 2005). The sex act is openly portrayed as being about the body and the availability of the body, and the use of neuter pronouns heightens its alleged objectivity and divorces it from personal significance (Crossley 2005). For example, lyrics in Snoop Dogg's "Bring it on," include, "I'm qualified to knock a hoe, "Got it cracking with my hoe" (Crossley 2005). Gangsta rap music is essentially the vocalization of sentiments that have lived long within the political environment of the African-American community. To feel empowered, African-American males attempt to keep women subordinate.

Works Cited

Cheney, Charise. (2005 June 22). In search of the "revolutionary generation":

en) gendering the golden age...

The Journal of African-American History. Retrieved December 17, 2006 from HighBeam Research Library.
Crossley, Scott. (2005 December 22). Metaphorical conceptions in hip-hop music.

African-American Review. Retrieved December 17, 2006 from HighBeam

Research Library.

Gangsta rap: should it be censored? (1994 October 01). The Black Collegian. Retrieved December 17, 2006 from HighBeam Research Library.

Pinn, Anthony B. (1999 March 22). "How Ya Livin'?": Notes on Rap Music and Social

Transformation. The Western Journal of Black Studies. Retrieved December 17, 2006 from HighBeam Research Library.

Quinn, Eithne. (2000 September 22). Black British cultural studies and the rap on gangsta. Black Music Research Journal. Retrieved December 17, 2006 from HighBeam Research Library.

Suazo, Frances L. (1995 June 25), Contemporary urban…

Sources used in this document:
Works Cited

Cheney, Charise. (2005 June 22). In search of the "revolutionary generation":

en) gendering the golden age of rap nationalism. The Journal of African-American History. Retrieved December 17, 2006 from HighBeam Research Library.

Crossley, Scott. (2005 December 22). Metaphorical conceptions in hip-hop music.

African-American Review. Retrieved December 17, 2006 from HighBeam
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