¶ … films will be compared. One film that will be discussed is City of God (2002) and Boyz in the Hood (1991). City of God was made in and based in Brazil, specifically in the favellas of Rio de Janiero -- the equivalent of what Americans would call "the projects" in urban areas with severe crimes. Boyz n the Hood was made and based in an African-American ghetto of Los Angeles, California. City of God and Boyz n the Hood are films that seem to be littered with differences, yet upon closer examination, there are greater, thematic similarities. The paper focuses on themes such as family, violence, power, and poverty. Both films are about what happens when the violence and injustice of a corrupt social and political system invite, urge, or even force youth, specifically male youths of color, into careers in crime. Both films center around youths that are a part of powerful gangs that commit crimes to support themselves, break out of poverty, and for selfish urges for power. The youths in both films see a number of their friends and enemies lost to gang violence. In both films, there are also those characters that wish to escape the life of the ghetto/favella, usually by means of using criminal...
In Boyz n the Hood, Tre, the protagonist, who is a former bully and former gang member, ultimately sheds his former life for one of greater prosperity via a romantic relationship with his girlfriend from the same neighborhood, and as they both attend colleges. They do not leave this lifestyle without their share of extreme violence, including violent shootings and beatings of their friends and community members. In City of God, Benny, known to be one of the most generous and cool drug dealers of the favella, throws a good bye party for him and his girlfriend, as they planned to retire from drugs and city life to get married and own a farm. Benny is brutally and accidently murdered at the party and his girlfriend is never seen again. The films communicate that the grip of the poverty and crime is truly strong; it is with great strength and sacrifice that a person is able to break free.
Films Comparison of the Films My Big Fat Greek Wedding and Finding Forrester Watching films has always been a favorite undertaking of several people. Some people do so as a temporary escape from the realities of the world while others are entertained simply by watching movies. Then there are those that view films for the cultural, historical, political, socials and other lessons learnt thereto. Whatever the film genre may be, movie
Film Noir Among the various styles of producing films, it has been observed the noir style is one that has come to be recognized for its uniqueness in characterization, camera work and striking dialogue. Film Noir of the 1940s and 50s were quite well-known for their feminine characters that were the protagonists, the femme fatale. This was most common with the French, later accepted in the United States. There might have
Not only does Nichols provide a good context for the many paradoxes that can confront film studies with his insightful and thoughtful introduction, but he also shows how sharing approaches and methods can help to stimulate a lot of the best writing regarding film. In addition he shows many of the common problems that are seen and deals with the contradictions that appear. Like the first volume of the anthology,
Film Comparison Almodovar's Prisons Prisons can be more than a place where one is confined for what they have done. A prison can be a great number of things; a prison can be a psychological, social, emotional, or physical construct. Pedro Almodovar explores these four types of prisons in two of his films, Volver and Todo Sobre Mi Madre (All About My Mother). In both of these films, the characters find themselves
movie industry in America has been controlled by some of the monolithic companies which not only provided a place for making the movies, but also made the movies themselves and then distributed it throughout the entire country. These are movie companies and their entire image revolved around the number of participants of their films. People who wanted to see the movies being made had to go to the "studios"
movie ( snapshot). Then, elaborate Typeface printin The 2009 film Typeface, which was directed by Justine Nagan and produced by Kartemquin Films, is a thoroughly fascinating documentary about the decline of traditional woodblock type and printing. The movie also focuses on the ramifications of that decline, which occurred in the wake of the transition to digital type and modern printing presses. There is a great deal of history in this
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